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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This study aims at exploring social expectations toward women focusing on the image of breastfeeding from the 1930s to the 1950s. There are many statues of mother and child around us. While the history of the image in the West originated from the ancient Egypt, the history in Korea is not long. As it emerged in official art exhibitions such as the Joseon Art Exhibition in the 1930s, when the Western arts took root in the Korean arts circle, the image came to represent one of the images of women. As the image of the mother and child was a popular theme in the Japanese arts circle, we cannot overlook its impact on the Korean arts. However, the image reveals the motherhood ideology demanded for women during the Japanese colony. In particular, the image of the mother breastfeeding her child, popular in all times and places, is the image of fixing a woman as a mother, which can be seen from a negative perspective as it limits women’s role as giving a birth to and raising children. However, this study does not intend to interpret the image of mother and child by applying the general theory on the motherhood but to identify the background for its creation and distribution in Korea by considering circumstances from the 1930s to the 1950s.
The images of the mother breastfeeding her child, produced during the Japanese colony, gained attention from scholars, as they represented the role of women in the colonial period. In particular, the images produced in the late 1930s were interpreted as arts reflecting the political background at the time, or an image of the ‘patriotic mother’ who gave a birth to and raise healthy children who were required to fight in a war during the colonial period. Different from such a perspective, the image is interpreted, in this study, as an image of emphasizing the motherhood with sacrifice, devotion, and affection, which the nation demanded for women against the ‘abnormal’ national situation caused by the Japanese colony.
This study starts with a brief description of the meaning of the image of breastfeeding in the Western arts based on the times, and the origin of the image of mother and child in Korea is discussed with its production and background. Then, the image in the 1930s and 1940s is explored, which is classified into two groups: one representing low-income families and the other representing middle-income families. In particular, the image of the mother breastfeeding her child in the second category is interpreted as reflecting the characteristics of the period, which became conservative with the worsening condition of the Japanese colony. In the exploration of the image of the mother breastfeeding her child in the 1950s, the focus is on which areas it is similar to or different from that in the 1930s and 1940s. Also, this study proves that motherhood ideology, formed in the ‘abnormal period’ from the 1930s to the 1950s, is still effective by exploring the image of the mother and child, which was the most popular theme for the section of sculptures in the Grand Art Exhibition of Korea in the 1960s and 1970s, and which we often see in front of public space.
The images of the mother breastfeeding her child, produced during the Japanese colony, gained attention from scholars, as they represented the role of women in the colonial period. In particular, the images produced in the late 1930s were interpreted as arts reflecting the political background at the time, or an image of the ‘patriotic mother’ who gave a birth to and raise healthy children who were required to fight in a war during the colonial period. Different from such a perspective, the image is interpreted, in this study, as an image of emphasizing the motherhood with sacrifice, devotion, and affection, which the nation demanded for women against the ‘abnormal’ national situation caused by the Japanese colony.
This study starts with a brief description of the meaning of the image of breastfeeding in the Western arts based on the times, and the origin of the image of mother and child in Korea is discussed with its production and background. Then, the image in the 1930s and 1940s is explored, which is classified into two groups: one representing low-income families and the other representing middle-income families. In particular, the image of the mother breastfeeding her child in the second category is interpreted as reflecting the characteristics of the period, which became conservative with the worsening condition of the Japanese colony. In the exploration of the image of the mother breastfeeding her child in the 1950s, the focus is on which areas it is similar to or different from that in the 1930s and 1940s. Also, this study proves that motherhood ideology, formed in the ‘abnormal period’ from the 1930s to the 1950s, is still effective by exploring the image of the mother and child, which was the most popular theme for the section of sculptures in the Grand Art Exhibition of Korea in the 1960s and 1970s, and which we often see in front of public space.
목차
Ⅰ. 머리말
Ⅱ. 모자상의 기원
Ⅲ. 1930~1940년대 젖먹이는 모자상
Ⅳ. 1950년대 젖먹이는 모자상: 강인한 모성, 시대를 넘는 희망
Ⅴ. 맺음말
참고문헌
〈Abstract〉
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UCI(KEPA) : I410-ECN-0101-2009-650-017668541