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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This thesis sets up a purpose to examine ‘metropolitan fears’ which the writers in 1960’s perceive through the specific space of ‘rooms’. This thesis looks around dialectical relationship between space and subject analysing “A Strong Man” by Kim Seung Ok and “A Room in Seoul” by Park Tae-Soon and together, describes how subjects signify the space.
In “A Strong Man” Kim Seung-Ok strongly disapproves of the way of life of a newly-risen middle class in Seoul. Their life has its roots in 'the privatization of life’. In home a newly-risen middle class tries to maintain a homogenized system shutting inner rooms off from outer world. The situation in 1960’s that accomplishes ‘condensed growth’ by oppressing the heterogeneity is revealed metaphorically in “A Strong Man”. In this literary work the author expresses his psychological disapproval the way of life of a newly-risen middle class in Seoul that is constructed without the consideration of others.
In “A Room in Seoul” Park Tae-Soon describes the desire for ‘the calm private-life’ with the comparison between Western-style houses and traditional Korean-style houses. The metropolitan fear which Park testifies is powerful. So he tries to overcome the fear through psychological defense mechanism, and his testimony is also about ‘the abnormality’ derived from the Korean modern manifestation process.
1960’s is a situation where metropolitan space grows rapidly and internally takes place space-division. Park and Kim give shape essentially to Seoul in 1960’s through ‘rooms’ that are the minimum unit of metropolitan space, and also they take a disrupted attitude toward metropolitan spaces and rooms. The disrupted attitude shows the disagreement with ‘the liberalist ideology’ of the intellectuals in 1960’s and their world. The two writers testimonies that a right of human beings is being deprived ceaselessly, though our metropolis is superficially being organized by its consistent order.
In “A Strong Man” Kim Seung-Ok strongly disapproves of the way of life of a newly-risen middle class in Seoul. Their life has its roots in 'the privatization of life’. In home a newly-risen middle class tries to maintain a homogenized system shutting inner rooms off from outer world. The situation in 1960’s that accomplishes ‘condensed growth’ by oppressing the heterogeneity is revealed metaphorically in “A Strong Man”. In this literary work the author expresses his psychological disapproval the way of life of a newly-risen middle class in Seoul that is constructed without the consideration of others.
In “A Room in Seoul” Park Tae-Soon describes the desire for ‘the calm private-life’ with the comparison between Western-style houses and traditional Korean-style houses. The metropolitan fear which Park testifies is powerful. So he tries to overcome the fear through psychological defense mechanism, and his testimony is also about ‘the abnormality’ derived from the Korean modern manifestation process.
1960’s is a situation where metropolitan space grows rapidly and internally takes place space-division. Park and Kim give shape essentially to Seoul in 1960’s through ‘rooms’ that are the minimum unit of metropolitan space, and also they take a disrupted attitude toward metropolitan spaces and rooms. The disrupted attitude shows the disagreement with ‘the liberalist ideology’ of the intellectuals in 1960’s and their world. The two writers testimonies that a right of human beings is being deprived ceaselessly, though our metropolis is superficially being organized by its consistent order.
목차
Ⅰ. 1960년대 도시공간과 ‘방’
Ⅱ. 상징공간의 충돌 ?근대 규율에 대한 야유
Ⅲ. ‘방’에 대한 욕망의 혼란 ?권태와 환멸
Ⅳ. 도시적 불안과 분열증적 주체
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