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자료유형
학술저널
저자정보
저널정보
국어국문학회 국어국문학 국어국문학 제146호
발행연도
2007.9
수록면
265 - 303 (39page)

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초록· 키워드

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The literary work is an organized complex of sensuous and expressive elements. And its unity, or the organization, is its form. In this formative process the imagination is a major originative power. The notion of imagination was universalized in the intellectuals since Romanticism. Immanuel Kant and Samuel Coleridge etc render services to the illumination of the concepts. In 20th century Gaston Bachelard of France have innovated to imagination theory. He accidentally discovered the dynamics of images that evoked from the passage and the metaphor of poems. His researches on the image of poems yielded the theories of four elements, the phenomenology of image, the archetypology. But Bachelard's projects couldn't extend the limit of application to the structure of an work and the other genres. Because, throughout his lifetime. Bachelard had speculated on the poem's image and individual image, he couldn't proposed the way to applicate the other genre and the forms. This Thesis grope for a process that Bachelard's phenomenology of image, his aesthetic theory and critique method, apply to the form of work and the other genre. In this groping, method of intuition, which is used traditionally in the orient, is of much service. I got excellent results through Gwan Sang Bub(觀象法), way to grasp instantly and totally the whole image of work, which is applied to foregone works, Park Kyung Ri's ToJi and Chae Man sik's novels. In this thesis, by presenting a method to read overlapping simultaneous three film cut, Ssu-ma Chien's 『Shih-chi(史記)』, Dante Alighieri's 『The Divine Comedy』, Park Kyung Ri's 『ToJi』, I demonstrated that work is understood well with combination of Bachelard's image phenomenology and 'Gwan-Sang Bub'

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3. 인문학적 상상력의 여러 형식
4. 형상과 사상
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