지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
Ever since the introduction of Buddhism in Korea, the reliquaries of Korea had been influenced by Chinese reliquaries like other Buddhist arts. Under such influences, however, the original forms and types could have been developed in Unified Silla. Such original development was viable due to the distinctive practice of ?ar?ra cult. This thesis tries to understand the original style of the reliquaries of ancient Korea by studying the Chinese influences from Three Kingdom period to Balhae.
Although Goguryeo encountered Buddhism firstly, it was ancient Silla which developed the culture of sari reliquaries and sari cult most. At the first year of Renshou when Wenti of Sui dynasty made nation-wide offerings of ?ar?ra, the envoys of Goguryeo, Baekje, Silla brought the sari offering to Korean peninsular. In the small number of the extant reliquaries, we can find strong Chinese influences. The forms of several reliquaries such as square box made of stone and round container with a round lid are similar to those of ancient Chinese reliquaries. What distinguishes Korean ?ar?ra faith to Chinese ?ar?ra faith is the early development of the faith of dharma sari which places sutra inside a pagoda.
We can find the unique features of Unified Silla in the early reliquaries such as those from east and west pagodas of Gameunsaji although the influences of Sui china and Tang China were still visible. The Chinese influences are found in the existence of inner containers similar to those from Famensi Temple (708) and the decoration of four guardians, which influences were brought to Korea by traveling monks to China. The distinctive Korean style is found in the arrangement and composition of a reliquary and the development of technique of metal craft.
From the early eighth century, a new kind of the cult of dharma ?ar?ra started, which worshiped darani offering along with the introduction of Ra?rnivirnalavi?ubh?prabh?n?rna-dh?raru. The Buddhist relie worship based on the sutra persisted by the mid ninth century producing original styles of Korean reliquaries.
From the ninth century, the Unified Silla developed an original form of reliquaries such as pot-like containers. The Chinese influences persisted in the reliquaries of the mid ninth century in six-sided or eight-sided round containers. They, however, shows original styles from the early period in terms of technique and iconography.
In Balhae, which was founded after the fall of Goguryeo, various types of reliquaries developed along with the flourishing Buddhism. The reliquaries of Balhae were influenced by Chinese reliquaries as can be shown in rectangular containers, seven-folds containers, pagodas on the tomb of lay people.
We can find many similarities between the reliquaries of China and Korea in ancient times, since Chinese reliquaries influenced Korean ones a lot in terms of forms and types. The introduction of a new container was possible with the exchange with China. Before the early eighth century, the Chinese impacts were strong. After the unification of the Three Dynasties, the reliquaries of Unified Silla could establish a unique style which is distinct from Chinese reliquaries. It was possible due to changes in international relations and the development of dharma faith based on Ra?rnivirnalavi?ubh?prabh?n?rna-dh?raru. The reliquaries from the late eighth century show distinctive development. Although there are still Chinese influences in the forms of some reliquaries, it was composition of reliquaries as a single set, expression, iconography, techniques that revealed the distinctive style of Korean reliquaries.
Korean art, although under persistent Chinese influences, made original development of its own style. The original development of reliquaries of the Unified Silla could be traced in more concrete ways due to the comparison with Chinese reliquaries. The reliquaries of Korea are important art works showing the original character of ancient Korean Buddhist art.
Although Goguryeo encountered Buddhism firstly, it was ancient Silla which developed the culture of sari reliquaries and sari cult most. At the first year of Renshou when Wenti of Sui dynasty made nation-wide offerings of ?ar?ra, the envoys of Goguryeo, Baekje, Silla brought the sari offering to Korean peninsular. In the small number of the extant reliquaries, we can find strong Chinese influences. The forms of several reliquaries such as square box made of stone and round container with a round lid are similar to those of ancient Chinese reliquaries. What distinguishes Korean ?ar?ra faith to Chinese ?ar?ra faith is the early development of the faith of dharma sari which places sutra inside a pagoda.
We can find the unique features of Unified Silla in the early reliquaries such as those from east and west pagodas of Gameunsaji although the influences of Sui china and Tang China were still visible. The Chinese influences are found in the existence of inner containers similar to those from Famensi Temple (708) and the decoration of four guardians, which influences were brought to Korea by traveling monks to China. The distinctive Korean style is found in the arrangement and composition of a reliquary and the development of technique of metal craft.
From the early eighth century, a new kind of the cult of dharma ?ar?ra started, which worshiped darani offering along with the introduction of Ra?rnivirnalavi?ubh?prabh?n?rna-dh?raru. The Buddhist relie worship based on the sutra persisted by the mid ninth century producing original styles of Korean reliquaries.
From the ninth century, the Unified Silla developed an original form of reliquaries such as pot-like containers. The Chinese influences persisted in the reliquaries of the mid ninth century in six-sided or eight-sided round containers. They, however, shows original styles from the early period in terms of technique and iconography.
In Balhae, which was founded after the fall of Goguryeo, various types of reliquaries developed along with the flourishing Buddhism. The reliquaries of Balhae were influenced by Chinese reliquaries as can be shown in rectangular containers, seven-folds containers, pagodas on the tomb of lay people.
We can find many similarities between the reliquaries of China and Korea in ancient times, since Chinese reliquaries influenced Korean ones a lot in terms of forms and types. The introduction of a new container was possible with the exchange with China. Before the early eighth century, the Chinese impacts were strong. After the unification of the Three Dynasties, the reliquaries of Unified Silla could establish a unique style which is distinct from Chinese reliquaries. It was possible due to changes in international relations and the development of dharma faith based on Ra?rnivirnalavi?ubh?prabh?n?rna-dh?raru. The reliquaries from the late eighth century show distinctive development. Although there are still Chinese influences in the forms of some reliquaries, it was composition of reliquaries as a single set, expression, iconography, techniques that revealed the distinctive style of Korean reliquaries.
Korean art, although under persistent Chinese influences, made original development of its own style. The original development of reliquaries of the Unified Silla could be traced in more concrete ways due to the comparison with Chinese reliquaries. The reliquaries of Korea are important art works showing the original character of ancient Korean Buddhist art.
목차
Ⅰ. 머리말
Ⅱ. 三國時代
Ⅲ. 統一新羅
Ⅳ. 渤海
Ⅴ. 맺음말
ABSTRACT
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
고대 동아시아 사리장치에 표현된 건축의장요소 관한 연구
한국실내디자인학회 논문집
2010 .06
-
7 · 8세기 신라 사리장엄에 표현된 건축의장 연구
한국실내디자인학회 논문집
2007 .08
-
韓日 古代 佛舍利莊嚴의 비교 연구
불교미술사학
2011 .01
-
慶州 九皇洞 三層石塔 舍利莊嚴具의 再照明
미술사논단
2006 .06
-
宋代 靜志寺塔 地宮의 佛舍利 再埋納과 莊嚴方式 硏究
미술사학
2009 .08
-
光山新龍里五層石塔 舍利具
미술사학연구(구 고고미술)
1986 .06
-
李成桂 發願 佛舍利莊嚴具의 硏究
미술사학연구(구 고고미술)
2008 .03
-
感恩寺塔 內사리器 奏樂ㆍ舞童像論
미술사학연구(구 고고미술)
1988 .06
-
고려시대 타출 공예 연구
미술사학연구(구 고고미술)
2007 .03
-
中國美術의 흐름
미술사논단
2004 .06
-
백제 미륵사지 3탑3금당에 대한 고찰
불교미술사학
2017 .01
-
[특집 04] 경계에 선 정체성 : 개혁개방 이전과 이후의 중국 조선족 미술
한국근현대미술사학
2012 .06
-
중국 隋唐代 석탑의 특징과 新羅 석탑과의 비교
미술사학연구(구 고고미술)
2016 .12
-
지역문화시설의 공용공간 디자인에 대한 사용자 평가 : 유니버설 디자인 관점에서
한국실내디자인학회 논문집
2011 .12
-
한식당 실내디자인의 전통표현경향
Archives of Design Research
2011 .02
-
카페공간의 주시의도에 나타난 공간지각 특성에 관한 연구
한국실내디자인학회 논문집
2013 .02
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-609-014718950