지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper is concerned with the function of church interior pictures by Emanuel de Witte. Scholars have so far suggested that the architectural paintings in 17th century Holland could have been intended as meditation pieces or as expressions of various roles the church performed in the society. It is also known that some church interiors by de Witte were displayed in churchwarden’s chambers. Furthermore, some students of this theme maintained that the perspective paintings showing the inside of a church were produced mainly because those churches were sources of civic pride, and others simply contented that they were appreciated merely because of their exclusive aesthetic values related to the principle of perspective.
This study presupposes that those pictures should have been results of various factors such as religious, political, social, cultural, and economic etc. It thus attempts to reconstruct the historical conditions in which the church interiors were produced, to be concrete, to analyze the formal characteristics in relation to the Church and church buildings.
The church interiors painted by de Witte represented not all types of churches in 17th century Holland. They mainly depicted those great parish churches in big cities, which were built in the Middle Ages and used by the calvinistic Reformed Church from the end of the 16th century onwards. It seems likely that the calvinists would have felt like having these representative churches painted, since they thought these buildings fit for themselves as public church and thus suited to show their orthodoxy.
Most of de Witte’s church interiors focus on architectural parts such as nave and aisle unlike earlier architectural paintings in Antwerp. It could be observed that they mainly laid the emphasis on the sermon given to the congregation who gathered together in the church to hear the Word of God. This should be related to the Reformed Church for whom the Word, thus the preach, was the most essential element. Church interior scenes by de Witte also show other aspects of the Reformed Church, I.e. their privileges as public church and sometimes their political stances as well.
Hence, it would seem that the church interiors by de Witte could have been painted to visualize the issues the Dutch Reformed Church wanted to claim as public church. For they were recognised as the only public church in the Nehterlands by the authorities but not as the national church. The dissenters were allowed to pursue their own faith, not public though. Thus the Reformed Church was in a situation in which there were two groups they should deal with, I.e. the city authorities on the one hand and the dissenters on the other. Therefore the church interiors by de Witte which could express the essential points of the calvinist Church should have seemed as effective means not just to manifest their ideas but to stimulate their faithful to meditation as well. And the fact that quite a number of church interiors were executed by de Witte seems to suggest that the Dutch calvinists were not just forced to further publicity activities but they also had the power and means to express their ideas.
This study presupposes that those pictures should have been results of various factors such as religious, political, social, cultural, and economic etc. It thus attempts to reconstruct the historical conditions in which the church interiors were produced, to be concrete, to analyze the formal characteristics in relation to the Church and church buildings.
The church interiors painted by de Witte represented not all types of churches in 17th century Holland. They mainly depicted those great parish churches in big cities, which were built in the Middle Ages and used by the calvinistic Reformed Church from the end of the 16th century onwards. It seems likely that the calvinists would have felt like having these representative churches painted, since they thought these buildings fit for themselves as public church and thus suited to show their orthodoxy.
Most of de Witte’s church interiors focus on architectural parts such as nave and aisle unlike earlier architectural paintings in Antwerp. It could be observed that they mainly laid the emphasis on the sermon given to the congregation who gathered together in the church to hear the Word of God. This should be related to the Reformed Church for whom the Word, thus the preach, was the most essential element. Church interior scenes by de Witte also show other aspects of the Reformed Church, I.e. their privileges as public church and sometimes their political stances as well.
Hence, it would seem that the church interiors by de Witte could have been painted to visualize the issues the Dutch Reformed Church wanted to claim as public church. For they were recognised as the only public church in the Nehterlands by the authorities but not as the national church. The dissenters were allowed to pursue their own faith, not public though. Thus the Reformed Church was in a situation in which there were two groups they should deal with, I.e. the city authorities on the one hand and the dissenters on the other. Therefore the church interiors by de Witte which could express the essential points of the calvinist Church should have seemed as effective means not just to manifest their ideas but to stimulate their faithful to meditation as well. And the fact that quite a number of church interiors were executed by de Witte seems to suggest that the Dutch calvinists were not just forced to further publicity activities but they also had the power and means to express their ideas.
목차
Ⅰ. 머리말
Ⅱ. 초기 건축회화와 델프트 화파
Ⅲ. 드 비터의 교회실내 장면들
Ⅳ. 17세기 네덜란드의 개혁교회
Ⅴ. 맺음말: 교회실내 회화의 기능?
참고문헌
〈Abstract〉
참고문헌 (44)
참고문헌 신청
Bakhuizen van den Brink, J.N / 1946 / Protestantsche Kerkbouw I / Arnhem
Bangs, Jeremy Dupertuis / 1997 / Church Art and Architecture in the Low Countries before 1566 / Sixteenth Century Essays and Studies 37
Berkhof, H / 1946 / Inleiding, Protestantsche Kerkbouw / The Hague :11~28
Blade, T. T / 1971 / Two Interior Views of the Old Church in Delft / Museum Studies: Art Institute of Chicago :34~50
Connell, E. Jane / 1980 / The Romanization of the Gothic Arch in Some Paintings by Pieter Saenredam: Catholic and Protestant Implications / Rutgers Art Review 1:17~35
Bangs, Jeremy Dupertuis / 1997 / Church Art and Architecture in the Low Countries before 1566 / Sixteenth Century Essays and Studies 37
Berkhof, H / 1946 / Inleiding, Protestantsche Kerkbouw / The Hague :11~28
Blade, T. T / 1971 / Two Interior Views of the Old Church in Delft / Museum Studies: Art Institute of Chicago :34~50
Connell, E. Jane / 1980 / The Romanization of the Gothic Arch in Some Paintings by Pieter Saenredam: Catholic and Protestant Implications / Rutgers Art Review 1:17~35
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
지역사회와 소통하는 교회 공간디자인 교육사례 연구
한국실내디자인학회 학술대회논문집
2014 .06
-
Bubble (church)
International Invitation Exhibition of Color Works
2017 .11
-
고령자를 위한 교회건축 편의시설 개선방안
한국실내디자인학회 논문집
2010 .12
-
한․중․일 초기 성당건축의 의장적 특성에 대한 비교연구 : 현존하는 초기 삼랑식 벽돌조 성당건축을 중심으로
한국실내디자인학회 논문집
2012 .06
-
지역적 특성을 고려한 교회 실내공간의 상징성 표현 연구 : 제주지역 교회의 실내공간을 중심으로
한국실내디자인학회 학술대회논문집
2010 .06
-
기독교인의 교회 스포츠프로그램 참여 만족도가 교회성장 기여도, 활용도에 미치는 영향
한국체육과학회지
2013 .10
-
마케팅 믹스요소를 적용한 교회 예배공간에 관한 연구
한국실내디자인학회 학술대회논문집
2009 .05
-
천주교 부산교구 성당건축의 양식과 전례(典禮)공간 변화경향 연구(Ⅰ) : 19세기 말에서 1962년 사이에 건립된 부산(釜山)교구 5개 주요 성당건축을 중심으로
한국실내디자인학회 논문집
2009 .10
-
지역사회를 위한 현대 교회의 공간 활용에 관한 연구 : 본당을 중심으로
Archives of Design Research
2005 .02
-
교회건축의 외장색채 사용 현황에 관한 연구 : 2000년 이후 건축된 국내사례 중심으로
한국색채학회논문집
2014 .05
-
교회건축 디자인과 통합된 교회가구 디자인 개발 연구 : S교회의 교회가구 디자인 사례를 중심으로
한국실내디자인학회 학술대회논문집
2012 .05
-
건축물의 대공간 집회시설의 실내공기질 개선방안에 관한 연구
한국실내디자인학회 논문집
2011 .08
-
카파도키아 지역 비잔틴 교회의 성녀상 연구
서양미술사학회논문집
2004 .06
-
가톨릭 성당건축의 장애 편의시설 설치현황 및 개선방안 : 대전광역시 유성구 소재 본당을 중심으로
한국실내디자인학회 논문집
2014 .08
-
신체적활동 참여 기독교인의 교회만족도, 조직헌신도, 충성도, 구전의도와의 인과관계
한국체육과학회지
2012 .06
-
개신교 교육공간의 Flexibility에 관한 연구
Archives of Design Research
2002 .11
-
Interior architecture design for Pyongwha church
한국디자인학회 국제초대전도록
2014 .05
-
한국 개신교회 유치부실 실내 환경에 관한 연구
한국디자인포럼
2007 .01
이 논문과 함께 이용한 논문
17세기 네덜란드 미술에 나타난 재난 : 1654년 10월 12일 델프트의 탄약창고 폭발을 중심으로
김소희
서양미술사학회논문집
2013
.02
이탈리아의 문화적 지배와 17세기 초의 홀란드 풍경화
이한순
서양미술사학회논문집
1999
.06
15~16세기 백자 사용 보편화에 대한 시론 : 춘천 장학리 유적을 중심으로
이경기
,
최승엽
인문과학연구
2013
.12
17세기 네덜란드 미술에 나타난 빵의 사회사 : 〈뿔피리를 부는 제빵사〉를 중심으로
김소희
미술사학
2013
.08
소문과 권력 : 16세기 한 사족 부인의 淫行 소문 재구성
이숙인
철학사상
2011
.05
최근 본 자료
댓글(0)
0