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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2001.6
- 수록면
- 3 - 24 (25page)
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초록· 키워드
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Chang S?ng-?p(張承業, 1843-1897) was one of the four most talented painters of the Chos?n Dynasty. The famous four were An-gyeon(安堅) of the early Chos?n period and Cheong-Seon(鄭敾), Kim Hong-do(金弘道), and Chang S?ng-?p of the late Joseon period. Chang S?ng-?p was born in 1843. Losing both parents while quite young, he drifted from place to place and finally settled in the house of the Chinese translater Lee Eung-heon(李應憲) in Seoul. Lee Eung-heon was a lover of art and had become a great collector with the artwork he had acquired on his trips to China. By that time, appreciating and collecting works of calligraphy and painting had become a common practice. But Lee Eung-heon's case is significant. His father-in-law, Lee Sang-jeok(李尙迪), was not only a famous poet but also the pivot in the cultural exchange between Chos?n and China. It is well known that Lee Sang-jeok was the pupil of Kim Jeong-heui(金正喜), the eminent calligrapher and powerful leader of the art world of late Chos?n. Thus Chang S?ng-?p's talents caught the eye of the art-loving Lee Eung-heon and he was able to become a full-fledged painter. Chang S?ng-?p never received any regular education but became one of the greatest painters just with his natural talents.
As if he had also been a painter in his previous life, Chang S?ng-?p painted with a will, all those inspirations that erupted inside him. Many interesting episodes are left on account of his tremendous fondness of drinking and his unrestrained manners. One is the story of his escape from the palace. At one time, Chang S?ng-?p was summoned by the king Go-Jong(高宗) to paint for the royal court. But he could not bear the stifling atmosphere of the palace and ran away to a bar. Although the king summoned him many times, each time Chang S?ng-?p managed to escape. He was on the verge of being punished severly. Only with the intervention of his friend Min Yeong-hwan(閔泳煥) was he able to just evade punishment. Min Yeong-hwan was a loyal subject of the late Chos?n Dynasty and when the Japanese imperial forces overthrew Chosen, he committed suicide.
Chang S?ng-?p had even been married at one time. But resentful of the oppressive marriage life, he ran away after his first night with his bride. Chang S?ng-?p left all the money he got from his paintings at bars and never took any account. Many times he left work unfinished because he was too drunk. He spent his life wandering around bars and the guesthouses of patrons. Chang S?ng-?p is said to have passed away in 1897 at the age of 55 but where he took his last breath is not known. He used to say that "The life and death of one is like a floating cloud. It is better for one to just hide away in a beautiful spot instead of fussing about dying and preparing for one's funeral." His nomadic life and his puzzling death can be said to be the characteristics of an artist who abdicated all that was profane and common. Chang S?ng-?p's paintings were loved by all at that time. One can know by the inscriptions on his work that many famous people collected his art.
Chang S?ng-?p is the model of the artist who strives for the purity of art. His exemplary example is significant not only in Korea but also in China and Japan in the 19th century. It is because of this that his nomadic life can be reckoned as a life for one truly seeks beauty. Although he failed to live a normal life, Chang S?ng-?p attained eternity in his artistic life instead.
Chang S?ng-?p is a paragon of the true artist even today. Through his life we learn that art must not be contaminated by worldly riches and must not fall into the trap of idleness that is brought about by petty comforts. His life also questions the confused state of Korean contemporary art. Is it 'art' when art that seeks originality only in its form without a truly critical artistic consciousness? And can art attain eternity when it is not one with the artist's life? I believe the answers to such questions lie with Chang S?ng-?p.
As if he had also been a painter in his previous life, Chang S?ng-?p painted with a will, all those inspirations that erupted inside him. Many interesting episodes are left on account of his tremendous fondness of drinking and his unrestrained manners. One is the story of his escape from the palace. At one time, Chang S?ng-?p was summoned by the king Go-Jong(高宗) to paint for the royal court. But he could not bear the stifling atmosphere of the palace and ran away to a bar. Although the king summoned him many times, each time Chang S?ng-?p managed to escape. He was on the verge of being punished severly. Only with the intervention of his friend Min Yeong-hwan(閔泳煥) was he able to just evade punishment. Min Yeong-hwan was a loyal subject of the late Chos?n Dynasty and when the Japanese imperial forces overthrew Chosen, he committed suicide.
Chang S?ng-?p had even been married at one time. But resentful of the oppressive marriage life, he ran away after his first night with his bride. Chang S?ng-?p left all the money he got from his paintings at bars and never took any account. Many times he left work unfinished because he was too drunk. He spent his life wandering around bars and the guesthouses of patrons. Chang S?ng-?p is said to have passed away in 1897 at the age of 55 but where he took his last breath is not known. He used to say that "The life and death of one is like a floating cloud. It is better for one to just hide away in a beautiful spot instead of fussing about dying and preparing for one's funeral." His nomadic life and his puzzling death can be said to be the characteristics of an artist who abdicated all that was profane and common. Chang S?ng-?p's paintings were loved by all at that time. One can know by the inscriptions on his work that many famous people collected his art.
Chang S?ng-?p is the model of the artist who strives for the purity of art. His exemplary example is significant not only in Korea but also in China and Japan in the 19th century. It is because of this that his nomadic life can be reckoned as a life for one truly seeks beauty. Although he failed to live a normal life, Chang S?ng-?p attained eternity in his artistic life instead.
Chang S?ng-?p is a paragon of the true artist even today. Through his life we learn that art must not be contaminated by worldly riches and must not fall into the trap of idleness that is brought about by petty comforts. His life also questions the confused state of Korean contemporary art. Is it 'art' when art that seeks originality only in its form without a truly critical artistic consciousness? And can art attain eternity when it is not one with the artist's life? I believe the answers to such questions lie with Chang S?ng-?p.
목차
Ⅰ. 序言
Ⅱ. 前朝
Ⅲ. 後期
Ⅳ. 結語
English Abstract
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