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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2007.11
- 수록면
- 183 - 214 (32page)
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초록· 키워드
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In order to do further analysis to Park Qijia, the famous Korean Poet’s characteristics in his literature theory and literary creation, this thesis does research on Park Qijia’s theory of poetry and painting are interlinked in realm in multi-aspect.
At first, the thesis discusses the view to poetry, painting and calligraphy of Park Qijia. He is a high-level literati with three skills above, so no one can do better than him in analyzing the relevance and interlink of poetry and painting, and these skills became the cognitive basis that he accepted and used Painting Theory of Chinese Literati flexibly. Secondly, the Poetry Aesthetics opinion that poetry and painting are interlinked in realm he desired is his creative opinion by developing, thorough understanding and original accepting the poetry and painting theory at that time and Chinese ancient theory of poetry and painting are consistent. We can know about his unique opinion of Chinese painting skills by his poetry on paintings or some poetry related paintings. Meanwhile, his flexibility in the use of unique theory of poetry and painting became the turning point that his theory got a new realm. At last, according to his articles or poetry on paintings and his other related poetry, the thesis does further analysis on his vision of poetry, painting and calligraphy’s creation, literati’s accomplishment and characteristics of his poetry on paintings. Many of his poetry on paintings that expressed his feelings, also showed his unique opinion in theory of paintings or poetry and painting are interlinked. He paid more attention on the expressing of poetry’s meaning, because he accepted the opinion of Nanzong School in painting theory, and affected by Eight Eccentrics of Yangzhou in Qing Dynasty, so he got the painting concept of expressing meaning for first. The theory of his poetry and painting came into existenceon the basis of this concept. As his description that poetry and painting are interlinked on the point of meaning rather than forms, the art realm of harmony of meaning and scene is the so-called theory of poetry and painting are interlinked in realm.
At first, the thesis discusses the view to poetry, painting and calligraphy of Park Qijia. He is a high-level literati with three skills above, so no one can do better than him in analyzing the relevance and interlink of poetry and painting, and these skills became the cognitive basis that he accepted and used Painting Theory of Chinese Literati flexibly. Secondly, the Poetry Aesthetics opinion that poetry and painting are interlinked in realm he desired is his creative opinion by developing, thorough understanding and original accepting the poetry and painting theory at that time and Chinese ancient theory of poetry and painting are consistent. We can know about his unique opinion of Chinese painting skills by his poetry on paintings or some poetry related paintings. Meanwhile, his flexibility in the use of unique theory of poetry and painting became the turning point that his theory got a new realm. At last, according to his articles or poetry on paintings and his other related poetry, the thesis does further analysis on his vision of poetry, painting and calligraphy’s creation, literati’s accomplishment and characteristics of his poetry on paintings. Many of his poetry on paintings that expressed his feelings, also showed his unique opinion in theory of paintings or poetry and painting are interlinked. He paid more attention on the expressing of poetry’s meaning, because he accepted the opinion of Nanzong School in painting theory, and affected by Eight Eccentrics of Yangzhou in Qing Dynasty, so he got the painting concept of expressing meaning for first. The theory of his poetry and painting came into existenceon the basis of this concept. As his description that poetry and painting are interlinked on the point of meaning rather than forms, the art realm of harmony of meaning and scene is the so-called theory of poetry and painting are interlinked in realm.
목차
Ⅰ. 머리말
Ⅱ. 楚亭 박제가와 中國 文人畵論
Ⅲ. 題畵詩 창작과 詩畵相通의 경지
Ⅳ. 맺음말
〈參考文獻〉
〈Abstract〉
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