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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
현대미술학회 현대미술학 논문집 현대미술학 논문집 제12호
발행연도
2008.12
수록면
259 - 294 (36page)

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초록· 키워드

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This thesis aims at studying on the characteristics and significance of media art. This is to bring out the aspects of aesthetic experiences which are notified as a new realm of art, and also to suggest the significance of this matter as presenting the difference between traditional art and media art. In this thesis, I examined the characteristics and transformation in media art on the basis of the theories of M. Mcluhan and L. Manovich. According to Mcluhan, the era of electronic media which was leaded by TV required us to fully employ multiple senses rather than the sense of sight alone. TV as a cool media has demanded the active participation of the viewers as well. On this viewpoint, this thesis attempts to explain the appearance and characteristics of video art as well as the works showing such examples, Also, by looking into the theory of Manovich who named computer as the new media according to the fact that it has surpassed the realm of TV, this thesis will observe the characteristics and examples of computer art or else digital art. Especially, I try to explain the concept of multimedia, virtual reality, telepresence, interactivity which are all considered as the characteristics of computer art, by applying the principles of new media asserted by Manovich - numerical representation and variableness. Also, I try to indicate that the principles of new media noted by Manovich could be explained on the extended line of Mcluhan's view.
Upon this context, I attempt to suggest the new characteristics of media art carried by the use of TV, video, computer by enumerating three point of views, which can be classified into light, communication, and time. Also, I point out the fact that the answer to the question, "is this art or technology?" lies upon the demonstration and degree of creativity displayed in each work.

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머리말
1. 미디어 아트 용어의 등장과 전개
2. 맥루언의 사상과 미디어 아트
3. 마노비치와 디지털 아트
맺음말
참고문헌
Abstract

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