지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This thesis offers an aesthetic approach in history and arts of Baekje. In the present study, previous arguments over the topic, fragmentary in Baekje or general in Korean arts, were organized and analyzed in a historical research methodology. Analyses were provided with artistic characters on particular artifacts from Baekje, Mildness, elegance and softness commonly characterized the artifacts and the three factors feature the main stream of Baekje arts.
Characteristic Baekje arts substantially represent Baekje society. Considering from the kingdom's origin and its geography in East Asia, Baekje naturally attached importance to foreign relationship and the policy developed into cultural openness. It is believed that this historical environment tremendously affected the formation of aesthetic characteristics of Baekje arts. Baekje shared especially close cultural relationships with the Six Dynasties in China. The Six Dynasties can be defined as a period when a magnificent changeover occurred in the history of Chinese Arts and Baekje continuously imported their culture to form and shape its own cultural atmosphere. While China was in the middle of political turmoil by two consecutive empires Sui and Tang's erupting and perishing, and could not have a chance to reform their characteristic cultures, Baekje moved its capital to Sabi (now Buyeo) and developed the tradition of Six Dynasties' aristocratic cultural style to create its own peculiar cultural trend.
Buddhism exerted enormous influence on Baekje society. Baekje people's artistic sense was also inevitably Buddhist. Several historical materials and artifacts show Baekje people's disposition and emotion. They sometimes realized about specific relations between people to cherish deep compassion and sometimes felt profound emptiness and nothingness of lives to aim at total transcendence through contemplation and reconciliation, Such emotions were sublimed into artistic technique and aesthetic creation.
On(溫, Warmth) and a (雅, Elegance) could be chosen as two Chinese characters to best describe the features of Baekje arts, On represents neutrality and moderation which evades any extreme, and also means softness, fondness, generosity and richness, A means elegance and beauty, and it also has the senses of goodness and righteousness. The properties of this a imply an aesthetic feeling to refuse the opposite value and to be inclined for idealism, which illustrates an intervention of a social viewpoint of values, Baekje arts can be explained with characters on and a, and generally characterized as onami (溫雅美, Beauty of On and A), Onami can find its counterpart in uami (優雅美, Beauty of Gracefulness and Elegance) of western culture, Properties of uami are embodied by the peacefulness through generosity and richness in Baekje artifacts, and expendably described in cheerful or rhythmic beauty excluding any discord and hostility,
Baekje Buddhism also influenced on the formation of aesthetic categorization. The supernatural divine sublimity of Buddhism was combined with elegant and graceful beauty to create a new stage of Baekje arts. The gilt pensive Bodhisattva image of National Treasure no, 83 is an exemplary artifact to incarnate the features, in which two different levels of existence were represented with one transcendental image of Buddha and with the other physically intimate figure of human being, The union of sunggomi (崇高美, Beauty of Sublimity) and uami in artifacts enlightens the contemporary ideological environment of Buddhism at that time, Baekje Buddhism was absolutely a religion of helping hands from Buddha, People directly worshiped for their welfare to Buddhist images in which sunggomi was extremely weakened and humanistic uami was reinforced to focus the images' warm eye contact instead, This is also one profile to exhibit a quality of Baekje arts.
Characteristic Baekje arts substantially represent Baekje society. Considering from the kingdom's origin and its geography in East Asia, Baekje naturally attached importance to foreign relationship and the policy developed into cultural openness. It is believed that this historical environment tremendously affected the formation of aesthetic characteristics of Baekje arts. Baekje shared especially close cultural relationships with the Six Dynasties in China. The Six Dynasties can be defined as a period when a magnificent changeover occurred in the history of Chinese Arts and Baekje continuously imported their culture to form and shape its own cultural atmosphere. While China was in the middle of political turmoil by two consecutive empires Sui and Tang's erupting and perishing, and could not have a chance to reform their characteristic cultures, Baekje moved its capital to Sabi (now Buyeo) and developed the tradition of Six Dynasties' aristocratic cultural style to create its own peculiar cultural trend.
Buddhism exerted enormous influence on Baekje society. Baekje people's artistic sense was also inevitably Buddhist. Several historical materials and artifacts show Baekje people's disposition and emotion. They sometimes realized about specific relations between people to cherish deep compassion and sometimes felt profound emptiness and nothingness of lives to aim at total transcendence through contemplation and reconciliation, Such emotions were sublimed into artistic technique and aesthetic creation.
On(溫, Warmth) and a (雅, Elegance) could be chosen as two Chinese characters to best describe the features of Baekje arts, On represents neutrality and moderation which evades any extreme, and also means softness, fondness, generosity and richness, A means elegance and beauty, and it also has the senses of goodness and righteousness. The properties of this a imply an aesthetic feeling to refuse the opposite value and to be inclined for idealism, which illustrates an intervention of a social viewpoint of values, Baekje arts can be explained with characters on and a, and generally characterized as onami (溫雅美, Beauty of On and A), Onami can find its counterpart in uami (優雅美, Beauty of Gracefulness and Elegance) of western culture, Properties of uami are embodied by the peacefulness through generosity and richness in Baekje artifacts, and expendably described in cheerful or rhythmic beauty excluding any discord and hostility,
Baekje Buddhism also influenced on the formation of aesthetic categorization. The supernatural divine sublimity of Buddhism was combined with elegant and graceful beauty to create a new stage of Baekje arts. The gilt pensive Bodhisattva image of National Treasure no, 83 is an exemplary artifact to incarnate the features, in which two different levels of existence were represented with one transcendental image of Buddha and with the other physically intimate figure of human being, The union of sunggomi (崇高美, Beauty of Sublimity) and uami in artifacts enlightens the contemporary ideological environment of Buddhism at that time, Baekje Buddhism was absolutely a religion of helping hands from Buddha, People directly worshiped for their welfare to Buddhist images in which sunggomi was extremely weakened and humanistic uami was reinforced to focus the images' warm eye contact instead, This is also one profile to exhibit a quality of Baekje arts.
목차
Ⅰ. 머리말
Ⅱ. 백제미 연구사론
Ⅲ. 유물을 통해 본 백제인의 미의식
Ⅳ. 백제미 형성의 사회적 배경
Ⅴ. 백제미의 성격
Ⅵ. 맺음말
〈Abstract〉
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
중국계 백제관료에 대한 고찰
史叢(사총)
2012 .01
-
4~7세기 백제의 경계와 그 변화 -경기와 충청지역을 중심으로-
백제문화
2018 .01
-
5~6세기 백제의 중층적 묘제교류와 그 정치적 상호작용
한국사학보
2013 .11
-
4~6세기 백제에서의 중국계 이주민의 정착과 활동
역사와현실
2020 .09
-
유물ㆍ유적을 통해 본 百濟建國說話
한국학(구 정신문화연구)
2001 .09
-
백제에 대하여
우리말글
2000 .12
-
한국 詠史樂府에 나타난 對百濟史 認識考
漢文古典硏究
2016 .01
-
5세기 중후반 백제의 대외관계
역사와현실
2007 .03
-
漢城 百濟期 百濟人의 美意識 考察 : 風納土城 出土 百濟土器를 中心으로
문화사학
2004 .06
-
백제 찬술문헌으로서의《大乘四論玄義記》
한국사연구
2007 .03
-
백제 국가형성사 연구 동향과 과제
동북아역사논총
2018 .09
-
백제문화제의 정체성과 도시브랜딩 - 회고와 전망을 중심으로 -
외국학연구
2020 .01
-
근ㆍ현대 한국 사학의 후백제 서술
한국고대사연구
2004 .09
-
4세기 말~5세기 초엽 ‘백제왕(百濟王)’호의 책봉 배경과 ‘도독백제제군사(都督百濟諸軍事)’호의 의의
역사와현실
2020 .03
-
사비기 백제의 對中관계와 문화교류 - 도교 · 불교를 중심으로 -
목간과문자
2020 .06
-
금동신발과 백제의 지방통치
계명사학
2009 .11
-
永樂 6년 고구려의 백제 침공 원인에 대한 검토 - 〈廣開土王碑〉 辛卯年 기사의 재해석을 중심으로 -
목간과문자
2020 .06
-
중국 학계의 백제사 연구 동향
동북아역사논총
2018 .06
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2010-911-002846661