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논문 기본 정보

자료유형
학술저널
저자정보
Hayub Song (중앙대학교)
저널정보
대한건축학회 ARCHITECTURAL RESEARCH ARCHITECTURAL RESEARCH Vol.12 No.1
발행연도
2010.6
수록면
33 - 38 (6page)

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초록· 키워드

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Many theorists acknowledge that Modern architecture denied the architect’s crafty gesture for the sake of pure formal and compositional status of a building. As well, modern technology in construction has been prevailing as the sole support for modern architecture. But there exists architects who proposed a dialectic development of traditional and modern techniques. This thought was prominent in Germanic circle where technological development was in advance. Throughout 20<SUP>th</SUP> century, the works of Adolf Loos, Mies Van der Rohe, and Peter Zumthor are representatives in each period. A common point begins from their apprenticeships as craftsmen: Loos and Mies as stonemasons, Zumthor as a cabinetmaker. More than this fact, their craftsmanship is embedded in their works and express creativity of architects. While mass production system raises non-participatory practice that merely require assemblage of products, the adjusted techniques with craftsmanship brings forth a participatory practice that does not limit the creativity of architects.

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Abstract
1. INTRODUCTION
2. ADOLF LOOS: A STONEMASON WHO CAN SPEAK LATIN
3. MIES : ADJUSTING TECHNIQUE
4. PETER ZUMTHOR : ADJUSTED MATERIALITY
5. CONCLUSION
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