지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper attempts to refine the existing knowledge of a silent-film narrator system in Chosun, focusing on how the system developed in the early stage of 1910s.
The silent-film narrator system of Chosun was associated with Japanese film industry advancing into Chosun. In 1910, the first narrator appeared at Kyongsung Godeung Yeonyaegwan established by Japanese. There a narration was conducted in the form of a brief description prior to screening because both Japanese and Korean were its audiences. However, in 1912 when Dae Jeong Gwan for Japanese audiences only and Umigwan for Korean audiences only were established, the separation between Japanese and Korean audiences allowed narrators to comment on a film during screening.
Since then until 1920s, the narration of a silent film was carried out in the various forms. In the theaters for Japanese only, there were not only expository narrators who explained scenes of western films and documentary films, but also voice acting narrators for Japanese new-school drama films and historical drama films. These voice acting narrators even staged plays on their own and combination plays for voice acting performances were also produced. However, in Korean theaters, most of narrators were expository for only western films were showed.
At first, the form of a narration in Korean theaters were different from one of in Japanese theater, but soon Korean theaters also tried to adopt the voice acting narrators following the Japanese theaters. Nevertheless, the voice acting narrators and combination plays began to disappear when the theaters in Chosun were under direct management of Japanese major film studios in 1920s, for they cost high.
The silent-film narrator system of Chosun was associated with Japanese film industry advancing into Chosun. In 1910, the first narrator appeared at Kyongsung Godeung Yeonyaegwan established by Japanese. There a narration was conducted in the form of a brief description prior to screening because both Japanese and Korean were its audiences. However, in 1912 when Dae Jeong Gwan for Japanese audiences only and Umigwan for Korean audiences only were established, the separation between Japanese and Korean audiences allowed narrators to comment on a film during screening.
Since then until 1920s, the narration of a silent film was carried out in the various forms. In the theaters for Japanese only, there were not only expository narrators who explained scenes of western films and documentary films, but also voice acting narrators for Japanese new-school drama films and historical drama films. These voice acting narrators even staged plays on their own and combination plays for voice acting performances were also produced. However, in Korean theaters, most of narrators were expository for only western films were showed.
At first, the form of a narration in Korean theaters were different from one of in Japanese theater, but soon Korean theaters also tried to adopt the voice acting narrators following the Japanese theaters. Nevertheless, the voice acting narrators and combination plays began to disappear when the theaters in Chosun were under direct management of Japanese major film studios in 1920s, for they cost high.
목차
1. 들어가며
2. 무성영화시대의 시기 구분
3. 조선에서 변사시스템의 형성
4. 변사 연행의 특징과 변화
5. 나가며
참고문헌
Abstract
참고문헌 (28)
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UCI(KEPA) : I410-ECN-0101-2010-600-002466794