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Modem Shakespearean Production in England : Theory and Practice
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셰익스피어극의 현대영국공연의 이론과 실태

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Type
Academic journal
Author
Journal
The Shakespeare Association Of Korea Shakespeare Review Vol.37 No.1 KCI Accredited Journals
Published
2001.3
Pages
119 - 141 (23page)

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Modem Shakespearean Production in England : Theory and Practice
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Modern Shakespearean production in England began in the 1900s when William Poel led a movement for restoring the Elizabethan stage conditions and conventions. Poel's Elizabethanism was improved by Harley Granville-Barker in the I 9 !Os, and John Gielgud solidified this tradition until the I 950s. In the 1960s and the I 970s, Brecht's epic drama stimulated 'empty stage' performance and more and more directors tended to modernize Shakespeare's plays or use them as a means of conveying their own social or political messages. Since the I 980s, when the government subsidy began to decrease, more and more theatrical companies have resorted to visual effects to increase box-office profits. However, these four major trends-Elizabethanism, modernization, directorial manipulation, and emphasis on visual effects-did not take place by turns, but coexisted side by side throughout the twentieth century. Although apparently contradictory to one another, they have led to the well-balanced development of modern Shakespearean production in England through mutual complementation. Many productions enhanced the contemporary relevance of plays by modernizing the periods and costumes on the empty stages restored by Elizabethanists. By inventing both efficient and beautiful sets, many productions restored the merits of the Elizabethan stage practices, such as the fluidity of actions and actor-centered performance, while giving visual pleasure to the audiences. And many directors could convey their own messages effectively in heavily modernized productions.

Contents

1. 서론
2. 복고주의
3. 현대화 추세
4. 연출가에 의한 도구화
5. 시각적 효과 강조
6. 결론
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