지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2015.3
- 수록면
- 155 - 177 (23page)
이용수
초록· 키워드
오류제보하기
Korea’s, cultural modernization was influenced by westernization after the Korean war. Since the 1960s, Shakespeare’s plays, with their literary and theatrical fabrics, appealed to the Korean audience more than any other plays. Accordingly, Korean directors tried to prove their theatrical imagination with productions of Shakespeare. Generally speaking, they created Shakespeare productions in two different ways.
One way was by appropriating the rich Korean traditional folk culture for their productions. This phenomenon was accompanied by the national cultural agenda from the late 1970s to the 1980s to recover Korean identity through traditional folk culture. Still many directors continue to use traditional folk culture in their productions, but they intend to cultivate it primarily for the theatrical style rather than for the cultural identity. Once they turned their interest to fuse the cultures, they rediscovered folk cultures as fertile theatrical resources. These days, intercultural amalgamations frequently happen frequently to in Shakespearean productions.
The other way tended to destroy the original plot and to breathe in the current Korean social reality. Korean directors did not hesitate to cut the words, transpose the scenes, and subvert the original story. After they had destroyed the original plot, they often reconstructed the current issues in the scenes such as gender, sexuality, class struggle, family relationships, and so on. In these post-modern Shakespearean productions the spectacular mise-en-scenes presented Korean social reality as a force rather than representing it.
This paper will survey how Shakespeare productions have developed since the late 1970s, and will focus on three recent Lear productions which that embrace tradition, modernity and post-modernity. The National Theatre’s King Uru (2001) depended on Korean folk culture for its theatrical style. Yoon-Taek Lee’s King Lear (2004) mixed a modern theatrical style and traditional folk culture. And Theatre Group Gabyun’s Family Lear (2003) destroyed the original plot and reflected current Korean social problems of such as parent-child relationships as well as the prevalent materialism. Eventually my paper will show how Shakespearean productions are corresponding to the current cultural landscape in Korea.
One way was by appropriating the rich Korean traditional folk culture for their productions. This phenomenon was accompanied by the national cultural agenda from the late 1970s to the 1980s to recover Korean identity through traditional folk culture. Still many directors continue to use traditional folk culture in their productions, but they intend to cultivate it primarily for the theatrical style rather than for the cultural identity. Once they turned their interest to fuse the cultures, they rediscovered folk cultures as fertile theatrical resources. These days, intercultural amalgamations frequently happen frequently to in Shakespearean productions.
The other way tended to destroy the original plot and to breathe in the current Korean social reality. Korean directors did not hesitate to cut the words, transpose the scenes, and subvert the original story. After they had destroyed the original plot, they often reconstructed the current issues in the scenes such as gender, sexuality, class struggle, family relationships, and so on. In these post-modern Shakespearean productions the spectacular mise-en-scenes presented Korean social reality as a force rather than representing it.
This paper will survey how Shakespeare productions have developed since the late 1970s, and will focus on three recent Lear productions which that embrace tradition, modernity and post-modernity. The National Theatre’s King Uru (2001) depended on Korean folk culture for its theatrical style. Yoon-Taek Lee’s King Lear (2004) mixed a modern theatrical style and traditional folk culture. And Theatre Group Gabyun’s Family Lear (2003) destroyed the original plot and reflected current Korean social problems of such as parent-child relationships as well as the prevalent materialism. Eventually my paper will show how Shakespearean productions are corresponding to the current cultural landscape in Korea.
목차
Works Cited
Abstract
참고문헌 (22)
참고문헌 신청
1. [단행본] - Barucha, Rustom / 2000 / The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization / Wesleyan UP
2. [단행본] - Bristol, Michael D / 1996 / Big-Time Shakespeare / Routledge
3. [단행본] - Burger, Peter / 1984 / Theory of the Avant-Garde / Minnesota UP
4. [학술지(정기간행물)] - Carlson, Marvin / 1985 / Theatrical Performance: Illustration, Translation, Fulfillment, or Supplement? / Theatre Journal 37 (1) : 5 ~ 11
5. [학술지(정기간행물)] - Choi, Young-Joo / 2004 / The Aspects of Intercultural Shakespearean Production centering on ‘the Third Space’ and ‘Gloc culture’ / Korean Theatre Studies 12 : 109 ~ 143
2. [단행본] - Bristol, Michael D / 1996 / Big-Time Shakespeare / Routledge
3. [단행본] - Burger, Peter / 1984 / Theory of the Avant-Garde / Minnesota UP
4. [학술지(정기간행물)] - Carlson, Marvin / 1985 / Theatrical Performance: Illustration, Translation, Fulfillment, or Supplement? / Theatre Journal 37 (1) : 5 ~ 11
5. [학술지(정기간행물)] - Choi, Young-Joo / 2004 / The Aspects of Intercultural Shakespearean Production centering on ‘the Third Space’ and ‘Gloc culture’ / Korean Theatre Studies 12 : 109 ~ 143
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
리어왕의 질문 “나는 누구인가?”에 대한 아시아인의 응답 : 한국과 싱가포르의 다시공연하기 사례를 중심으로
Shakespeare Review
2018 .12
-
시민의 주체적 참여와 사회적 실천으로서의 셰익스피어: 마들시민극단의 〈리어, 파고다 공원에 오다〉를 중심으로
Shakespeare Review
2025 .02
-
William Shakespeare's King Lear and Akira Kurosawa's Ran: Adaptation or Distortion
영미문학교육
2015 .01
-
억압된 목소리의 복원: 『리어의 딸들』
영미어문학
2015 .09
-
선(禪)의 시각에서 본 『리어왕』
영어영문학연구
2015 .01
-
이윤택의 『우리 시대의 리어왕』 : 셰익스피어의 『리어왕』과 가스통 살바토레의『스탈린』의 차용 연구
동서비교문학저널
2015 .04
-
Navigating a Wheel of Nature: Shakespeare’s Reflections on Nature in King Lear
Shakespeare Review
2024 .06
-
키츠의 시를 통해 보는 『리어왕』: 「다시 한 번 『리어왕』을 읽으려고 앉아서」
영미어문학
2020 .01
-
셰익스피어의 『리어왕』(King Lear)에 나타난 남성적 여성들
Shakespeare Review
2017 .06
-
더 나은 배관설비를 위하여: 베케트 후기 작품에 나타난 King Lear에 대한 문학적 암시
현대영미드라마
2022 .04
-
A Choleric Lear: Humoralism and Malleable Identity in King Lear
영어영문학연구
2021 .08
-
은유 분석을 통해 본 예비한국어교사들의 한국문화・한국문화교육에 대한 인식 연구
언어학 연구
2021 .04
-
Violence and Commitment in Edward Bond’s Lear
현대영미드라마
2020 .04
-
글로스터의 인식 과정 : 『리어왕』에 나타난 눈멂과 통찰
Shakespeare Review
2018 .03
-
A Study of New Posthumanism in Contemporary Shakespeare Performances in Korea: Focusing on the Traditional Adaptations of A Midsummer Night’s Dream
Shakespeare Review
2021 .10
-
A Possible Promise of Intercultural Shakespeare through Traditional Gut Performance : Tae-rin Kim’s Romeo-The Ssitgim (2015)
Shakespeare Review
2018 .03
-
셰익스피어 극에 나타난 당대의 사회상과 ‘좋은 사회’에 대한 비전
Shakespeare Review
2024 .06
-
민화 이미지를 활용한 패션 문화 상품 개발에 관한 연구- 넥타이와 스카프를 중점으로 -
복식문화연구
2022 .10
-
Directorial Polarization of A Midsummer Night’s Dreams in Korea
Shakespeare Review
2016 .12
-
학습자 인식을 고려한 한국 문화 교육 연구 - 미국 미시시피 대학교 문화 수업 사례를 중심으로 -
언어와 문화
2019 .01
이 논문의 저자 정보
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-840-001407799