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초록· 키워드
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The salvation of the people themselves in common, literature is religious and religion is literature. Buddhism is of great importance to our literature. That applies to traditional literature as well as modern literature. And that is why sometimes modern people who are buried in civilization ask literature for possible of helping the people like a human being. If it is the total our experiences of Buddhism in what we call current literature, an interest in Buddhism as a material principle of literature is not meaningless.
Many Korean poets wrote poems about the principal icon-Sakyamuni of Seokguram. Above all things, Seokguram is the best aesthetic sense among the oldest Buddha-statue existing in our country. It already has a reputation as a work of art, and poems about the principal icon-Sakyamuni of Seokguram among the poem of Buddha-statue of our literature are considered inspiring a representative poetic warmth in mass.
And I research that the poems about the Horyuji kudarakannon that is the famous Buddha-statue in Japan are not small. That is, this paper is written for comparing the poetic reaction and an aesthetic consciousness between Korea and Japan through the principal icon-Sakyamuni of Seokguram and the Horyuji kudarakannon.
Yu Chi-Hwan, who is a korean poet, and he wants to be an unmoved stone or a human's feeling, his will of life expresses a similar emotional reaction, standing in front of the principal iconSakyamuni of Seokguram. This statue exist as a symbol of will to combine with the divided human's life. But the Horyuji kudarakannon always existed peacefully. An aesthetic consciousness of the Buddha's silence is called “Sa-Bi(さび)” in Japan. This concept can say the mutability aesthetic consciousness that person knows this through realize existence loneliness. In this way, it is different poetry about Buddha-statue realization of Korea and Japan.
Many Korean poets wrote poems about the principal icon-Sakyamuni of Seokguram. Above all things, Seokguram is the best aesthetic sense among the oldest Buddha-statue existing in our country. It already has a reputation as a work of art, and poems about the principal icon-Sakyamuni of Seokguram among the poem of Buddha-statue of our literature are considered inspiring a representative poetic warmth in mass.
And I research that the poems about the Horyuji kudarakannon that is the famous Buddha-statue in Japan are not small. That is, this paper is written for comparing the poetic reaction and an aesthetic consciousness between Korea and Japan through the principal icon-Sakyamuni of Seokguram and the Horyuji kudarakannon.
Yu Chi-Hwan, who is a korean poet, and he wants to be an unmoved stone or a human's feeling, his will of life expresses a similar emotional reaction, standing in front of the principal iconSakyamuni of Seokguram. This statue exist as a symbol of will to combine with the divided human's life. But the Horyuji kudarakannon always existed peacefully. An aesthetic consciousness of the Buddha's silence is called “Sa-Bi(さび)” in Japan. This concept can say the mutability aesthetic consciousness that person knows this through realize existence loneliness. In this way, it is different poetry about Buddha-statue realization of Korea and Japan.
목차
Ⅰ. 불상시의 개념에 관한 문제의 제기
Ⅱ. 불상시에 엿보이는 두 가지 의식-역사의식과 미의식
Ⅲ. 석굴암 본존을 찬미한 한국의 시편들
Ⅳ. 백제관음의 아름다움을 노래한 일본의 시가들
Ⅴ. 약론(略論) 및 보유(補遺)
참고문헌
Abstract
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