지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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This thesis is to discuss how the feminine argument and the composition work as a symbolic meaning through phases exposed to diverse modern woman's poems of Korea and Thailand in East Asian woman-literatures from the view of Korea literatures' global paradigm. This work is accomplished with a viewpoint of feminism and to extend the discussion to Southeast and Northeast Asian woman-core's literary composition and argument for the purpose of freeing from the culture focusing on white people (the First World).
The feminine reading is started in that dominating discussion and aesthetic opposite-discussion hold in contempt for feminine discussion by making a standard of Oedipal model. Therefore, not by analyzing the production but by changing readers's awareness and connections with reading materials, feminine reading came to be a re-vision resisting the parts overlooked and transmitted improperly by critics focusing on man; as a result, the action is to cross and to go against the composition. The feminine reading is also a process of improving how conflicts, troubles and refractions make texts organized. The texts include phases such as rank orders, modern times, a paterfamilias and male-oriented ideology .
Various processes or special aspects caused by "gender space" help feminine poetic texts connect with a variety of high authorities in a symbolic meaning net with abjection; thus, they find out various ways of influences, decisions and causality. Finally, examining woman poet's discussions and composition newly frees from androcentric traditional possession and has a vital role to solve very complicated meaning nets such as structures and special aspects in modern woman poet's texts in Korea and Thailand.
As a result of analysis, feminine discussion coming from poetic texts in Korea and Thailand poets shows that androcentric culture suppresses the a woman's subject in "gender space" at this moment, women express their diverse consciousness in both aspects of resistance and conformity about their own sound. Sometimes, women express their sound as a woman's subject dragging to time and space's situation through the sign, "read" and also expose readers to confident images. This kind of woman's subject is daughters, mothers and mothers of mothers in this world. Although they are pushed out by a paterfamilias's order, they are starting their suppressed desires to overcome the discrimination through self-sacrifice. By operating as a power to obtain a moral act, a woman's subject even shows that they understand "others" through communication.
A woman's subject discussion is on unreliable composition as well as on a border line. It includes inside and outside, past and future and suffering or suppressive aspects. It is also shown that the composition forms the symbolic meaning nets in a state with no-border line, now and even dream. This feminie discussion and composition are likely to be very realistic or nonrealistic as well as dangerous but strong. Considering the statement above, a woman's discussion and composition overcame the abjective body are achieving self-progressive composition in "gender space."
The feminine reading is started in that dominating discussion and aesthetic opposite-discussion hold in contempt for feminine discussion by making a standard of Oedipal model. Therefore, not by analyzing the production but by changing readers's awareness and connections with reading materials, feminine reading came to be a re-vision resisting the parts overlooked and transmitted improperly by critics focusing on man; as a result, the action is to cross and to go against the composition. The feminine reading is also a process of improving how conflicts, troubles and refractions make texts organized. The texts include phases such as rank orders, modern times, a paterfamilias and male-oriented ideology .
Various processes or special aspects caused by "gender space" help feminine poetic texts connect with a variety of high authorities in a symbolic meaning net with abjection; thus, they find out various ways of influences, decisions and causality. Finally, examining woman poet's discussions and composition newly frees from androcentric traditional possession and has a vital role to solve very complicated meaning nets such as structures and special aspects in modern woman poet's texts in Korea and Thailand.
As a result of analysis, feminine discussion coming from poetic texts in Korea and Thailand poets shows that androcentric culture suppresses the a woman's subject in "gender space" at this moment, women express their diverse consciousness in both aspects of resistance and conformity about their own sound. Sometimes, women express their sound as a woman's subject dragging to time and space's situation through the sign, "read" and also expose readers to confident images. This kind of woman's subject is daughters, mothers and mothers of mothers in this world. Although they are pushed out by a paterfamilias's order, they are starting their suppressed desires to overcome the discrimination through self-sacrifice. By operating as a power to obtain a moral act, a woman's subject even shows that they understand "others" through communication.
A woman's subject discussion is on unreliable composition as well as on a border line. It includes inside and outside, past and future and suffering or suppressive aspects. It is also shown that the composition forms the symbolic meaning nets in a state with no-border line, now and even dream. This feminie discussion and composition are likely to be very realistic or nonrealistic as well as dangerous but strong. Considering the statement above, a woman's discussion and composition overcame the abjective body are achieving self-progressive composition in "gender space."
목차
Ⅰ. 머리말
Ⅱ. ‘젠더’ 공간에서 여성의 담론성
Ⅲ. 타자와의 관계성과 ‘아브젝션’의 기호적 의미망
Ⅳ. ‘경계선’에 있는 여성적 글쓰기
Ⅴ. 맺음말
참고 문헌
참고문헌 (19)
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UCI(KEPA) : I410-ECN-0101-2012-705-003610098