지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The 17th century landscape paintings have been researched focusing on individual analysis of each work with the introduction of new paintings such as Byulseoyugeo-do and Gugok-do, with Gyehoe-do as the center. These paintings provide various social cultural aspects of the 17th century, a period with lack of inherited paintings. Not only do they provide the style of the landscape painting development of the 17th century, but are also important in identifying the facts as the preceding style of the 18th century landscape painting.
This paper focuses on the private collection Yusamburak screen(遊三釜落屛) to find out what various aspects of the 17th century landscape paintings are overlapped and in what forms. Yusamburak screen is an eight-fold screen created to commemorate sightseeing of Samburak, Hwasukyeon, Kosukjeong areas of Cheolwon, Kangwondo by Nam In faction people including Cho Kyung, Huh Mok, Lee Goe, Huh Lip, Lee Yeonnyeon in 1664. Each fold is composed of the title along with a screen made of the prose, work title, and drawing in that order similar to the screen composure of Gye-chuk. The fold 1, 2, 3 have the actual view of the sights visited during the trip, and the fold 4, 5, 6, 7, 8 express private estate of the participants. These forms of Yusamburak screen demands it to be an important resource as it reflects various aspects mentioned previously regarding the tendency of the 17th century landscape paintings in one painting.
This paper would like to examine the composition and the production details of the participants and the sightseeing trip of Cheolwon, Kangwondo area related records first as the production background of the work. After that, by examining the current condition, composition, and contexts of each fold, landscape painting trends and art historical significances, as well as the social economic production background of the middle of the 17th century will be studied.
This paper focuses on the private collection Yusamburak screen(遊三釜落屛) to find out what various aspects of the 17th century landscape paintings are overlapped and in what forms. Yusamburak screen is an eight-fold screen created to commemorate sightseeing of Samburak, Hwasukyeon, Kosukjeong areas of Cheolwon, Kangwondo by Nam In faction people including Cho Kyung, Huh Mok, Lee Goe, Huh Lip, Lee Yeonnyeon in 1664. Each fold is composed of the title along with a screen made of the prose, work title, and drawing in that order similar to the screen composure of Gye-chuk. The fold 1, 2, 3 have the actual view of the sights visited during the trip, and the fold 4, 5, 6, 7, 8 express private estate of the participants. These forms of Yusamburak screen demands it to be an important resource as it reflects various aspects mentioned previously regarding the tendency of the 17th century landscape paintings in one painting.
This paper would like to examine the composition and the production details of the participants and the sightseeing trip of Cheolwon, Kangwondo area related records first as the production background of the work. After that, by examining the current condition, composition, and contexts of each fold, landscape painting trends and art historical significances, as well as the social economic production background of the middle of the 17th century will be studied.
목차
Ⅰ. 머리말
Ⅱ. 《유삼부락병》의 제작 배경과 현 상태
Ⅲ. 1664년 三釜落 유람의 참가자
Ⅳ. 《유삼부락병》의 구성
Ⅴ. 맺음말
참고문헌
ABSTRACT
참고문헌 (35)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
16세기 契會圖에 나타난 山水樣式의 변모
미술사학
2005 .08
-
개화기 화단의 신경향과 잡화병
미술사논단
2008 .12
-
고려 중기의 북송과의 회화 교류
미술사논단
2019 .12
-
19세기 「朝鮮書畵傳」을 통해 본 韓日 繪書交流
미술사학연구(구 고고미술)
2012 .03
-
죽화(竹畵)의 유형과 분류체제의 정립을 위한 시론
미술사논단
2018 .12
-
고려 초기 회화의 조명
미술사논단
2019 .06
-
고려 후기 강남경 산수화의 대두와 이곽파화풍의 전개
미술사논단
2020 .06
-
회화의 위기, 회화의 대안
미술이론과 현장
2004 .01
-
17세기 조선의 實景山水畵 연구
미술사연구
2004 .12
-
之又齋 鄭遂榮의 山水畵 연구
미술사학연구(구 고고미술)
2002 .09
-
藹春 申命衍의 繪畵
미술사연구
2007 .12
-
화문과 화제의 분류체제
미술사논단
2018 .06
-
근대기 지방화단 연구 : 서울화단과의 영향관계를 중심으로
한국근현대미술사학
2009 .12
-
조선 후기 남종화풍 문인산수화의 모방과 창작 : 화보의 분류 체계와 그 수용
미술사논단
2016 .06
-
17-18세기 동아시아에서 實景山水畵의 성행과 그 의미
미술사학연구(구 고고미술)
2003 .03
-
鄭敾의 ‘倣古參今’ : 조선 후기 倣古 산수화와 實景 산수화의 相補性
미술사학연구(구 고고미술)
2008 .03
-
이용우(李用雨, 1902-1952)의 ‘묵로’시대 회화 연구 : 인물화와 화조화를 중심으로
한국근현대미술사학
2018 .12
-
道岬寺 觀世音菩薩三十二應幀의 圖像 硏究
미술사학연구(구 고고미술)
2003 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2013-650-000639911