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This paper deals with the historical stages of transformation of landscape style in the paintings of gatherings (契會圖) in the sixteenth century, Choson. In the 16th century, turning-pont period between the early and middle Choson periods, landscape paintings definitely showed the different style when compared to the earlier style in the painting of gatherings.
This paper focuses on some aspects on actual-view landscape paintings, that coexisted with the painting style of the Ankyon (安堅) school of this period as reflected in recently discovered works. The most strikingly feature of the painting of gathering in the 16th century is that imaginary and actual scenes were depicted together in the same work. It shows that the painting style of the Ankyon school, traditional idiom of the early Choson paintings, was mixed with different painting style. The painting style of the Ankyon school originated from the 15th century landscape painting style gradually was mannerized in the 16th century, while the actual scenery elements were more highlighted. In such actual-view landscape paintings, a certain idiom played a role as a "criterion" to discern the actual site of the gathering. Sometimes, it was favored for the easy and fast brushworks.
In the 16th century, the manner of the Ankyon school was transformed from oval composition to horizontal one, emphasizing the broad space, and to make the distant mountains stereotyped. These aspects recall the actual-view landscape. The mixed elements represented in both imaginary and actual scenes prove that the Ankyon school painting had been persisted for a long time. They were almost diminished in the late 16th century along with the manner of the Ankyon school, however, the tradition of actual-view painting has been followed till the early 17th century.
An approach to the landscape painting style in the painting of gatherings of 16th century will contribute to the future researches such as the transmission of the Ankyon school, brush methods in the actual-view landscape paintings, the dating of other landscape paintings, the formative stages of the actual-view landscape paintings, and their visual evidence.
This paper focuses on some aspects on actual-view landscape paintings, that coexisted with the painting style of the Ankyon (安堅) school of this period as reflected in recently discovered works. The most strikingly feature of the painting of gathering in the 16th century is that imaginary and actual scenes were depicted together in the same work. It shows that the painting style of the Ankyon school, traditional idiom of the early Choson paintings, was mixed with different painting style. The painting style of the Ankyon school originated from the 15th century landscape painting style gradually was mannerized in the 16th century, while the actual scenery elements were more highlighted. In such actual-view landscape paintings, a certain idiom played a role as a "criterion" to discern the actual site of the gathering. Sometimes, it was favored for the easy and fast brushworks.
In the 16th century, the manner of the Ankyon school was transformed from oval composition to horizontal one, emphasizing the broad space, and to make the distant mountains stereotyped. These aspects recall the actual-view landscape. The mixed elements represented in both imaginary and actual scenes prove that the Ankyon school painting had been persisted for a long time. They were almost diminished in the late 16th century along with the manner of the Ankyon school, however, the tradition of actual-view painting has been followed till the early 17th century.
An approach to the landscape painting style in the painting of gatherings of 16th century will contribute to the future researches such as the transmission of the Ankyon school, brush methods in the actual-view landscape paintings, the dating of other landscape paintings, the formative stages of the actual-view landscape paintings, and their visual evidence.
목차
Ⅰ. 머리말
Ⅱ. 16세기 전반기 산수양식의 양상
Ⅲ. 16세기 후반기 산수양식의 변모
Ⅳ. 맺음말
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Abstract
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UCI(KEPA) : I410-ECN-0101-2009-650-017320682