지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The purpose of this study is verifying the reception of Franz Kafka, one of the most outstanding writer of existentialism in 20th century, in Modern Korean literature. It is deeply influenced by the works of the writer which concerned about alienation and anxiety of the existence of human being, absurdity of the fate of man, dialect of desperation and hope, problem of solitude and horror. Literary style of Kafka which has the characteristics of fable description and fantastic stories has been greatly stimulated to the techniques in creative writing into modern Korean literary works.
There are some Korean poets who wrote their poems motivated from Kafka’s works. Lee, Chul－bum and Kim, Kwang－kyu described the desperation in front of sanctity or absolute power, Kim, Seung－hee and Kim, Jin－Kyung expressed the horror, anxiety and pent－up feelings in their poems which motivated from the “Castle”, “Metamorphosis” and “The Judgement” by Kafka. On the other hand, Lee, Kun－chung and Cho, Chang－whan dealt with the solidarity and self－conflict which is the characteristic theme of Kafka by parodying “Fasting clown” in their works.
Also, we can find some poems that recited the name of Kafka or the image of him. O Kyu－won satirized self－ridiculously criticizes the appearance of modern life in extreme commercialism and fetishism in his poem. Jang, Suk－ju tried to find hope in desperation by describing that the desperation comes like ‘K in Kafka’ in his poem. Park, Ju－taek figured grotesque fantasy which influenced by works of Kafka.
We can discover the influence of Kafka into Korean literature not only by the examples that recited or parodied from his work but also the way of recognition of the world and human being. It is obvious that his work has been deeply influenced to Korean modern literature by stimulating them and widening amplitude of imagination.
There are some Korean poets who wrote their poems motivated from Kafka’s works. Lee, Chul－bum and Kim, Kwang－kyu described the desperation in front of sanctity or absolute power, Kim, Seung－hee and Kim, Jin－Kyung expressed the horror, anxiety and pent－up feelings in their poems which motivated from the “Castle”, “Metamorphosis” and “The Judgement” by Kafka. On the other hand, Lee, Kun－chung and Cho, Chang－whan dealt with the solidarity and self－conflict which is the characteristic theme of Kafka by parodying “Fasting clown” in their works.
Also, we can find some poems that recited the name of Kafka or the image of him. O Kyu－won satirized self－ridiculously criticizes the appearance of modern life in extreme commercialism and fetishism in his poem. Jang, Suk－ju tried to find hope in desperation by describing that the desperation comes like ‘K in Kafka’ in his poem. Park, Ju－taek figured grotesque fantasy which influenced by works of Kafka.
We can discover the influence of Kafka into Korean literature not only by the examples that recited or parodied from his work but also the way of recognition of the world and human being. It is obvious that his work has been deeply influenced to Korean modern literature by stimulating them and widening amplitude of imagination.
목차
Ⅰ. 머리말
Ⅱ. 카프카 작품의 모티프 수용
Ⅲ. 시작품 안의 카프카 작가 수용
Ⅳ. 한국현대시의 카프카 수용양상과 의의
Ⅴ. 맺음말
참고문헌
Abstract
참고문헌 (25)
참고문헌 신청
1. [단행본] - 고은 / 1994 / 책 어떻게 읽을 것인가 / 민음사
2. [학술지(정기간행물)] - 권세훈 / 1998 / 카프카 작품 <변신>의 한국적 수용 － 김영현의 <벌레>와 이윤택의 <사랑의 힘으로>－ / 카프카연구 6
3. [학술지(정기간행물)] - 권세훈 / 2002 / 프란츠 카프카의 『실종자』와 하일지의 『경마장 가는 길』-＂오클라하마 극장＂과 ＂경마장＂의 상징성 / 카프카 연구 10 : 1 ~ 18
4. [단행본] - 김광규 / 1983 / 아니다 그렇지 않다 / 문학과지성사
5. [단행본] - 김광규 / 1988 / 좀팽이처럼 / 문학과지성사
2. [학술지(정기간행물)] - 권세훈 / 1998 / 카프카 작품 <변신>의 한국적 수용 － 김영현의 <벌레>와 이윤택의 <사랑의 힘으로>－ / 카프카연구 6
3. [학술지(정기간행물)] - 권세훈 / 2002 / 프란츠 카프카의 『실종자』와 하일지의 『경마장 가는 길』-＂오클라하마 극장＂과 ＂경마장＂의 상징성 / 카프카 연구 10 : 1 ~ 18
4. [단행본] - 김광규 / 1983 / 아니다 그렇지 않다 / 문학과지성사
5. [단행본] - 김광규 / 1988 / 좀팽이처럼 / 문학과지성사
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2013-811-000316634