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This dissertation checked how Korea-Japan proletariat nursery song and the juvenile culture of proletariat crossed in the contemporaneity of 1930s’ and what symptom of age was seen. Further, it investigated the feature of common points reflected in the works of Hyundeok and Chubota zyouzi.
The proletariat juvenile literature spread in 1930s’ seemed to end in the level of slogan, instigation, introduction or introspection and looked distant from the true solidarity where exchange and wake-up shown in the dynamic movement. This dissertation shows that the sense of solidarity exposed in the proletariat juvenile literature circle in early 1930s’ had factors which are deserved to be reviewed by us at present.
Selecting Hyundeok and Chubota zyouzi as the authors that showed overcoming through literary works in the middle and end of 1930s’ with respect to the limit of proletariat juvenile literature in the early 1930s’, this dissertation specifically checked the features of such nursery tale by analyzing it as work. Children exist as natural being in the nursery depicted by them. Viewing them play in the space, we can see that the vitality of human and nature as well as transcendence which passes time and space are described there.
However, these 2 authors did not appear suddenly, but they were at the line of juvenile literature that was tried in Korea and Japan and showed some result. It was found that they were embedded in the contemporary movement and flow through 1920s’ and 1930s’.
The proletariat juvenile literature spread in 1930s’ seemed to end in the level of slogan, instigation, introduction or introspection and looked distant from the true solidarity where exchange and wake-up shown in the dynamic movement. This dissertation shows that the sense of solidarity exposed in the proletariat juvenile literature circle in early 1930s’ had factors which are deserved to be reviewed by us at present.
Selecting Hyundeok and Chubota zyouzi as the authors that showed overcoming through literary works in the middle and end of 1930s’ with respect to the limit of proletariat juvenile literature in the early 1930s’, this dissertation specifically checked the features of such nursery tale by analyzing it as work. Children exist as natural being in the nursery depicted by them. Viewing them play in the space, we can see that the vitality of human and nature as well as transcendence which passes time and space are described there.
However, these 2 authors did not appear suddenly, but they were at the line of juvenile literature that was tried in Korea and Japan and showed some result. It was found that they were embedded in the contemporary movement and flow through 1920s’ and 1930s’.
목차
Ⅰ. 머리말
Ⅱ. 마키모토 구스로와 1930년대 초 한국의 프롤레타리아 동요
Ⅲ. 현덕과 츠보타 죠지의 동시대성
Ⅳ. 맺음말
참고문헌
Abstract
【번역자료】 마키모토 구스로, 「조선의 신흥동요」
참고문헌 (26)
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UCI(KEPA) : I410-ECN-0101-2013-809-000845425