지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Nearly all the authors and readers in chinese literary history had been male. If female readers in modern times read the works, they could feel uncomfortable. I think that these sorts of discomfort had existed definitely in late ming(明) dynasty in which lots of female writers had made an appearance, so I will investigate the works of Xu Yuan(徐媛)’s and find out the cause of the phenomenon. Xu Yuan is a famous a woman poet who wrote almost 500 poems and have various characteristics. One of the interesting features is covering her inner side up. She had avoided to express feelings. And those features are concentrated in Yuefu shi(樂府詩), gongti shi(宮體詩), and imitation of Li he(李賀)’s poem. Originally Yuefu shi and gongti shi had written in the third person at all times. The story had told by an invisible storyteller. And because Li he (whose style she model on) had faced the fear of death, and he wanted to hide his apprehension, so he also selected an invisible storyteller. So I think Xu Yuan could`nt avoid to select an invisible storyteller on purpose in order to hide her inner side. In addition, Some people say she reaches the realm of Qing(淸), but view a matter from a different point, this is the aesthetic tendency of many male author(especially a critic), and these kind of things could affect female writers.
목차
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2. 본론
3. 결론
〈參考文獻〉
〈ABSTRACT〉
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UCI(KEPA) : I410-ECN-0101-2013-820-000888481