지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
1920s’ Joseon, discourse on Foreign Film increased in great number. It centers on American film. Diverse information about American fim was loaded on newspapers everyday. It seems that everyone is enthusiastic about American Fim.
But, there was attack and denial to American film, too. Some focused its not being artistic, some focused its America-centerd ideology, and some focused its bourgois ideology. Nevertheless, the attack was not so strong.
Why the film discours was formed around America film? It has several reasons: American film’s domination of world; lack of Joseon film; rejection to Japanese film and altering to American Film, etc. But most of all, the important reason was prevalent longing to USA and its modern culture.
But, there was attack and denial to American film, too. Some focused its not being artistic, some focused its America-centerd ideology, and some focused its bourgois ideology. Nevertheless, the attack was not so strong.
Why the film discours was formed around America film? It has several reasons: American film’s domination of world; lack of Joseon film; rejection to Japanese film and altering to American Film, etc. But most of all, the important reason was prevalent longing to USA and its modern culture.
목차
1. 서론
2. ‘미국영화통신’과 상업적 영화 저널리즘의 형성
3. 반(反)미국영화적 태도들
4. 외국영화 담론을 둘러싼 맥락들
5. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2013-600-001167590