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논문 기본 정보

자료유형
학술저널
저자정보
이은주 (성결대학교)
저널정보
한국현대영미드라마학회 현대영미드라마 현대영미드라마 제24권 제3호
발행연도
2011.12
수록면
97 - 123 (27page)

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초록· 키워드

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This study focuses on the matriarchal role of Amanda, a character in Tennessee Williams" play The Glass Menagerie. Her character is analyzed according to Carl Gustav Jung and Erich Neumann"s concept of the "archetypal mother". In particular, Neumann"s notion of the Great Mother is explained in terms of the Uroboros, an ancient symbol representing cyclicality. According to Neumann, the Great Mother has two forms: the Good Mother and the Terrible Mother. This notion can be applied to the case of Amanda, in that she tries to provide for her children"s domestic needs, although her daily harpings and excessive expectations stifle their development and push them away from her. As a result, Tom retreats into movies, while Laura retreats into her glass menagerie. Amanda, who in her youth was a feted belle living in America"s Old South, is obsessed with the glorified past. She is unable to face the harsh reality of the present, and passes this tendency on to her children, especially Laura, in whom she tries to implant her thoughts and values. In fact, Amanda"s memories of her own past have a harmful effect on Laura. Amanda"s inability to consider her children as grown-up individuals makes her a negative and cruel mother. She tends to dominate her children as her will dictates because she is unable to acknowledge the development of the conscious ego of her children and their independence from her. In conclusion, she can be said to exemplify the Terrible Mother in Neumann"s terms.

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Ⅰ. 들어가며
Ⅱ. 태모 원형
Ⅲ. 어머니일 수행
Ⅳ. 나가며
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Abstract

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UCI(KEPA) : I410-ECN-0101-2013-842-001236454