지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The purpose of this paper is to clarify the literary characteristics and significance of Dohak-sijo(道學時調) written by Ko Eung-choek(高應陟), by comparing the Bu(賦) and Dohak-sijo(道學時調) in terms of the principle of versification.
Ko Eung-choek(高應陟) enjoyed reading the Confucian scriptures, and expressed various art forms, such as Chinese poetry[漢詩], Do(圖), Sul(說), Bu(賦), Sijo(時調). Especially, through the process of writing a Bu(賦) and Dohak-sijo(道學時調), Ko Eung-choek(高應陟) expressed great awakening about Confucian scriptures. But differences between Bu(賦) and Dohak-sijo(道學時調) are found in terms of the principle of versification.
In the Bu(賦), the Confucian ideology and spiritual awakening were explained by way of arranging things[鋪陳], metaphor, and catechetical dialogue. On the other hand, in the Dohak-sijo(道學時調) they were embodied by Yongjeon(用典) and metaphor literarily.
In generall, Dohakja(道學者) will express the Confucian ideology and spiritual awakening. But Ko Eung-choek(高應陟) expressed the Confucian ideology and spiritual awakening by literary form of Sijo(時調), and made an effort to express his own ways.
Ko Eung-choek(高應陟) enjoyed reading the Confucian scriptures, and expressed various art forms, such as Chinese poetry[漢詩], Do(圖), Sul(說), Bu(賦), Sijo(時調). Especially, through the process of writing a Bu(賦) and Dohak-sijo(道學時調), Ko Eung-choek(高應陟) expressed great awakening about Confucian scriptures. But differences between Bu(賦) and Dohak-sijo(道學時調) are found in terms of the principle of versification.
In the Bu(賦), the Confucian ideology and spiritual awakening were explained by way of arranging things[鋪陳], metaphor, and catechetical dialogue. On the other hand, in the Dohak-sijo(道學時調) they were embodied by Yongjeon(用典) and metaphor literarily.
In generall, Dohakja(道學者) will express the Confucian ideology and spiritual awakening. But Ko Eung-choek(高應陟) expressed the Confucian ideology and spiritual awakening by literary form of Sijo(時調), and made an effort to express his own ways.
목차
1. 서론
2. 高應陟의 경전 읽기와 賦의 창작
3. 賦와의 대비를 통해 살펴본 高應陟道學時調의 작시원리
4. 高應陟道學時調의 의의
5. 결론
참고문헌
[Abstract]
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UCI(KEPA) : I410-ECN-0101-2013-810-003480732