지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper is aimed to study on Yun Baek-nam’s articles and activities during 1910’s~1920’s. His works proceeded with theater reform like vulgar theater. Most important, we must reread his the “Drama and Society” that has known to progressive and enlightening article until now. The article has conformism thought about imperialism and colonialism ideology by Japanese imperialism why we must reread his article.
He tried to make new Sinpa drama alike the Japanese’s in 1910’s. He attended to Japanese improvement movement. Accordingly, he had absorbed appearance of the Japanese’s. However, his works also got japanese colonial ideology like patriarchy and moral ideal. After that, he realized to need new form as a modern drama. These result, he designed the “Nation Theater”. The nation theater had planned to make the nation for the modern state that is usually empire. He planned for it after removed the spirit of the Joseon and colonial reality. Moreover, He suggested to led by the government for theater reform and institutionalize system. He also tried to make Society Theater and Popular Theatre in his perspective that the modern drama has combination of enlightenment and popularity. In effect, those dramas didn’t have modern trends of thought.
In conclusion, he could imagine new community that combined other ethnic groups. The thing with he was, he wanted to be a loyal retainer nation of the Empire of Japan. Therefore, his Nation Theater can change the Nation State Theater very easily.
He tried to make new Sinpa drama alike the Japanese’s in 1910’s. He attended to Japanese improvement movement. Accordingly, he had absorbed appearance of the Japanese’s. However, his works also got japanese colonial ideology like patriarchy and moral ideal. After that, he realized to need new form as a modern drama. These result, he designed the “Nation Theater”. The nation theater had planned to make the nation for the modern state that is usually empire. He planned for it after removed the spirit of the Joseon and colonial reality. Moreover, He suggested to led by the government for theater reform and institutionalize system. He also tried to make Society Theater and Popular Theatre in his perspective that the modern drama has combination of enlightenment and popularity. In effect, those dramas didn’t have modern trends of thought.
In conclusion, he could imagine new community that combined other ethnic groups. The thing with he was, he wanted to be a loyal retainer nation of the Empire of Japan. Therefore, his Nation Theater can change the Nation State Theater very easily.
목차
1. 서론
2. 신파극개량운동과 식민주의 담론의 내면화
3. ‘조선혼(朝鮮魂)’의 부정과 ‘국극(國劇)’의 기획
4. 관제적 연극개량을 통한 연극의 제도화
5. 계몽성과 대중성의 결합 그리고 ‘새로운 nation’
6.『연극과 사회』의 불편한 진실: 國民演劇의 前史
참고문헌
[Abstract]
참고문헌 (25)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2013-810-003480818