지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Generally speaking, suffering could be one of the most important aspects of the experience in quality when we express literature as the art of experience. When the great writers are faced with sufferings, they try to endure them by their imagination rather than being buried in them. Through their creation they overcome the sufferings in order to immortalize their personal beliefs and values. The creative passion of the great artists which comes out of extreme sufferings helps them to develop the artistic imagination, and through it the message of salvation of mankind is implemented.
This study deals with the very creative fiction Dostoevsky’s Notes from Underground in terms of ‘suffering, imagination and Writing". When the fiction was published in Epokha in 1864, Dostoevsky had to endure the worst time in his life. Especially, illness experience and death of Dostoevsky’s first wife Maria Dmitrievna gave decisive impact on his creation of an literary figure. In this study we examine
the literary imagination of the writer that was ignited at the peak of suffering, which was able to create the new artistic character and bring forth the creative writing. In a sense Notes from Underground is the ‘self-confessed etude’ of Dostoevsky who really experienced ‘otherness of suffering’. From here the empathic imagination of the writer has developed diversely in his late novels from Crime and Punishment to The Brothers Karamazov.
This study deals with the very creative fiction Dostoevsky’s Notes from Underground in terms of ‘suffering, imagination and Writing". When the fiction was published in Epokha in 1864, Dostoevsky had to endure the worst time in his life. Especially, illness experience and death of Dostoevsky’s first wife Maria Dmitrievna gave decisive impact on his creation of an literary figure. In this study we examine
the literary imagination of the writer that was ignited at the peak of suffering, which was able to create the new artistic character and bring forth the creative writing. In a sense Notes from Underground is the ‘self-confessed etude’ of Dostoevsky who really experienced ‘otherness of suffering’. From here the empathic imagination of the writer has developed diversely in his late novels from Crime and Punishment to The Brothers Karamazov.
목차
Ⅰ. ‘나는 아프다, 고로 나는 존재한다(Doleo ergo sum)‘
Ⅱ. 근대적 자아와 분열의 고통
Ⅲ. ‘은닉된 대화‘로서의 글쓰기
Ⅳ. 나오며: 공감적 상상력을 향하여
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UCI(KEPA) : I410-ECN-0101-2014-309-001197789