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In the days of the renaissance in the study and criticism about John Steinbeck, this study aims to observe and interpret the hidden corner of his literature and thought, hoping that his attitude toward morality and humanity may be illuminated well through the oriental point of view, Taoism.
Therefore I thought that certain Taoistic ideas must be selected for the analysis in order to examine John Steinbeck’s The Pearl from a Taoist perspective. For the sake of practicality, four Taoist ideas have been chosen out of the wealth of Taoist philosophy; these ideas are found in all major Taoist texts and represent some of the major pillars of Taoist thought. So the first of these in relation to The Pearl is the emphasis on anti-materialism. The second is anti-intellectualism and the third Taoist principle is an insistence on a life of
acceptance of what is and of our natural place within the world. Finally, the ultimate end is to become one with the Tao, to escape the determinism and temporary truths of this life through transcendence to a higher plane of existence.
These four principles are central to Taoistic philosophy and provide the necessary theoretical apparatus for examining Steinbeck’s The Pearl from an Oriental perspective.
Even though a main character, Kino clearly violates these fundamental Taoistic principles in his dissatisfaction with a previously happy life and in his attempts to rise above a social position, from a Taoist perspective Kino’s changes are very understandable.
So I think that this black and white little parable is actually a work that blends the depths of Taoistic philosophy with Steinbeck’s own affirmation of humanity’s potential for greatness. In the East, particularly, Tao has been emphasized well above all things in the eastern teachings, and then in this respect it can be said that the problem of Tao is not only the concern of the Western society but also of the Oriental society. Therefore I dare to conclude that Steinbeck’s The Pearl must have been based on Eastern philosophy especially, Taoism.
Therefore I thought that certain Taoistic ideas must be selected for the analysis in order to examine John Steinbeck’s The Pearl from a Taoist perspective. For the sake of practicality, four Taoist ideas have been chosen out of the wealth of Taoist philosophy; these ideas are found in all major Taoist texts and represent some of the major pillars of Taoist thought. So the first of these in relation to The Pearl is the emphasis on anti-materialism. The second is anti-intellectualism and the third Taoist principle is an insistence on a life of
acceptance of what is and of our natural place within the world. Finally, the ultimate end is to become one with the Tao, to escape the determinism and temporary truths of this life through transcendence to a higher plane of existence.
These four principles are central to Taoistic philosophy and provide the necessary theoretical apparatus for examining Steinbeck’s The Pearl from an Oriental perspective.
Even though a main character, Kino clearly violates these fundamental Taoistic principles in his dissatisfaction with a previously happy life and in his attempts to rise above a social position, from a Taoist perspective Kino’s changes are very understandable.
So I think that this black and white little parable is actually a work that blends the depths of Taoistic philosophy with Steinbeck’s own affirmation of humanity’s potential for greatness. In the East, particularly, Tao has been emphasized well above all things in the eastern teachings, and then in this respect it can be said that the problem of Tao is not only the concern of the Western society but also of the Oriental society. Therefore I dare to conclude that Steinbeck’s The Pearl must have been based on Eastern philosophy especially, Taoism.
목차
Ⅰ. 서론
Ⅱ. 도교적 원리
Ⅲ. 키노의 도(道)의 거부와 수용
Ⅳ. 결론
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