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Empire and Panorama : National Representation and Panoramic Vision in Prewar Japan
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파노라마와 제국 : 근대 일본의 국가 표상과 파노라마의 시각성

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Type
Academic journal
Author
Kim Gyewon (맥길대학)
Journal
Association of Korean Modern & Contemporary Art History Journal of Korean Modern & Contemporary Art History Vol.19 KCI Accredited Journals
Published
2008.12
Pages
29 - 49 (21page)

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Empire and Panorama : National Representation and Panoramic Vision in Prewar Japan
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Abstract· Keywords

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If Japanese imperialism was based on the extension of the metropole (naichi) to the colonies (gaichi), it was the panoramic vision that materialized the expansion of Empire through its graphic projection of concrete imagery. Like its Western counterparts, Japan co-opted the panoramic vision to express the physical and metaphorical consolidation of its power. This new and “all seeing” power of vision could compellingly concertized different aspects of national reality, generating the sense that “in a matter of minutes, all of Japan could be shown.” This paper attempts to explore how Japan’s national representation is built on the structure of panoramic vision and its metaphor - unbounded, total, unified and universal view. It particularly looks at the historical specificity of Japan, addressing how panoramic vision implies with respect to the “organic wholeness of Empire,” the ultimate expression of Japanese pan-Asianism.
#파노라마 #국가적 표상 #일본 제국 #근대성 #니뽄(NIPPON) #Panorama #National Representation #Japanese Empire #Modernity #NIPPON

Contents

Ⅰ. 들어가며
Ⅱ. 파노라마, 국가, 근대적 시선체계
Ⅲ. 파노라마관과 전망대
Ⅳ. 『니뽄 NIPPON』과 사진 벽화
Ⅴ. 맺음말
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Abstract

References (25)

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요시미 순야 / 2003 / 박람회: 근대의 시선 / 논형 google schola 임성모 / 2001 / 국방국가의 실험: 만주국과 일본 파시즘 / 중국사학회 (16):191~235 google schola 타케우치 요시미 / 2004 / 근대의 초극, in:일본과 아시아 / 소명출판 google schola 복제판 / 2002 / NIPPON 제1기-제3기 / 株式会社国書刊行会 google schola 시로야마 마리 / 2006 / 名取洋之助と日本工房 1931-45 / 岩波書店 google schola

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