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- 학술저널
- 저자정보
- 발행연도
- 2012.12
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- 697 - 734 (38page)
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This paper studies three modern plays that rewrite Shakespeare’s texts from women’s points of view: Desdemona: A Play about a Handkerchief by Paula Vogel, Goodnight Desdemona (Good Morning Juliet) by Ann-Marie MacDonald, and Lear’s Daughters, a collaborative work of Elaine Feinstein with the Women’s Theatre Group (WTG). First of all, this study defines rewriting as the differentiated repetition with the intention of challenging historical assumptions. According as how each play makes the structural relation with the original plot, the mode of rewriting is classified into three types: the intra-textual rewriting, the inter-textual rewriting and the extra-textual rewriting. Each type shows the possibility of transforming Shakespeare’s characters and plots as well as of reinterpreting his texts from various angles. Another important strategy is the use of theatricality. A variety of staging devices are used to reconstruct the written text, allowing the freedom of encoding and decoding theatrical signs. Therefore, rewriting Shakespeare on the basis of theatricality makes it possible not only to recognize the historical sense of contemporary issues including feminist ones, but also to suggest the possibility of making changes even in real life. It is this multiplicity and changeability that these plays intend to show by rewriting Shakespeare on women’s stage.
목차
I. 서론
II. 『데스데모나 : 손수건에 관한 극』 : 내부로부터의 반란
III.『굿나잇 데스데모나 (굿모닝 줄리엣)』: 교차로에서의 대면
IV.『리어의 딸들』: 외부로부터의 자극
V. 결론
인용문헌
Abstract
참고문헌 (35)
참고문헌 신청
1. [학술지(정기간행물)] - 김나영 / 2011 / 『굿나잇 데스데모나 (굿모닝 줄리엣)』에서 콘스탄스의 꿈: 비극의 대안으로서 셰익스피어의 희극적 다시쓰기 / Shakespeare Review 47 (4) : 659 ~ 687
3. [학술지(정기간행물)] - 김희진 / 2007 / “내가 바로 작가야!”: 여성 작가의 새로 쓰는 셰익스피어, 앤-메리 맥도널드의 『잘자 데스데모나(잘잤니 줄리엣)』 / Shakespeare Review 43 (1) : 57 ~ 76
4. [단행본] - 박형섭 / 2003 / 연극분석입문 / 동문선
5. [단행본] - Bennett,Susan / 1996 / Performing Nostalgia:Shifting Shakespeare and the Contemporary Past / Routledge
6. [단행본] - Berggren, Paula / 1980 / The Woman’s Part: Female Sexuality as Power in Shakespeare’s Plays, In The Woman’s Part: Feminist Criticism of Shakespeare / Illinois UP : 17 ~ 34
3. [학술지(정기간행물)] - 김희진 / 2007 / “내가 바로 작가야!”: 여성 작가의 새로 쓰는 셰익스피어, 앤-메리 맥도널드의 『잘자 데스데모나(잘잤니 줄리엣)』 / Shakespeare Review 43 (1) : 57 ~ 76
4. [단행본] - 박형섭 / 2003 / 연극분석입문 / 동문선
5. [단행본] - Bennett,Susan / 1996 / Performing Nostalgia:Shifting Shakespeare and the Contemporary Past / Routledge
6. [단행본] - Berggren, Paula / 1980 / The Woman’s Part: Female Sexuality as Power in Shakespeare’s Plays, In The Woman’s Part: Feminist Criticism of Shakespeare / Illinois UP : 17 ~ 34
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UCI(KEPA) : I410-ECN-0101-2014-840-000511358