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논문 기본 정보

자료유형
학술저널
저자정보
권유리야 (부경대학교)
저널정보
동북아시아문화학회 동북아 문화연구 동북아 문화연구 제34집
발행연도
2013.3
수록면
149 - 167 (19page)

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초록· 키워드

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This report considered amnesia through Winter Sonata, Four Gods, Boys over Flower to be pathological symptom of the Northeast Asia to occur in process which a value system of the northeast Asia is replaced in the west things.
The three drama armed by supranational the logic behind product marking which is thought korean wave can be summarized by self-denial and adolescence desire of universal and complex, with the way which is amnesia, in order to obtain a value system of the west, the northeast Asia figure to give up a value system of northeast Asia can be summarized.
For this, This report can explain that relationship of Winter Sonata, Four Gods, Boys over Flower correspond to “melo and beautify of tragedy→a fantasy and a fictional image of a nation→a fine article and the second complex of northeast Asia, once again,” considered expanding process; individual tame being romantic→a spectacle which forgets the origin of a nation→ignorant strong which adolescence desire leads.
Winter Sonata, in a point of view which romantic love is a certified destiny, forgets the present, fixed in a specific moment of first love.
Although Four Gods seems blind nationalism, it is fixed in fantasy and timeless of a spectacle. and it avoids thouhgts of the present on a nation.
Boys Over Flower shows complex of Northeast Asia which abandoned future planning ability in adolescent passion. In short, amnesia in drama can be analysed as allegorical metaphor about Northeast Asia"s adolescent desire and complex which blindly seek self-distrust and longing for established authority.

목차

Ⅰ. 머리말
Ⅱ. 낙인된 운명과 무기력한 낭만
Ⅲ. 판타지 속에 외면되는 민족의 역사
Ⅳ. 기획력 없는 사춘기의 무지한 역동성
Ⅴ. 맺음말
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