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논문 기본 정보

자료유형
학술저널
저자정보
Sohn, Wonjung (Korean National University of Arts)
저널정보
한국현대영미드라마학회 현대영미드라마 현대영미드라마 제26권 제2호
발행연도
2013.8
수록면
173 - 195 (23page)

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초록· 키워드

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Focusing on the dramaturgy of the theatre works of British-based theatre company Forced Entertainment, this article asks if it is possible to discover ways of looking at theatre which transcends the dichotomy between the ‘I’ and the ‘Other’ founded on the tradition of mimesis. This article proposes the aesthetics of void as an alternative frame for theatrical discussion: a notion of the void not as a vacuum but as an ever-moving, ever-changing entity; void not as a dead-end but as a process of enrichment which bridges the stage and the auditorium, the world of illusion and the world of reality, the experience of the performer and the experience of the spectator. In this paper I will investigate the validity of the aesthetic notion of the void as an alternative frame and explore how the deployment this notion may lead to another level of spectatorship, and how through this one may understand differently or negotiate the relationship between theatrical representation and the idea of the present.

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Ⅰ. Introduction
Ⅱ. Between the Fictional and the Real-ness of Performance
Ⅲ. Telling, Showing, and the Aesthetics of Failure
Ⅳ. Temporal Dramaturgies and Theatrical Experience
Ⅴ. Conclusion
Works Cited
Abstract

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