지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Lee Nan-young is one of Korea"s most famous female singers of Japanese colonial period, who sung a well-known popular song, "the Tears of Mokpo". Since liberation, Lee has been consistently interpellated as a code of nationalistic loss during the Japanese colonial rule, represented by the lyrics of her song "the Tears of Mokpo". Her musical ego had been always prescribed and defined by external forces even after liberation, and she had to accept it as herself. Though it may be the part of entertainers" common destiny, Lee had no choice but to embracing her fate in a self-destructive way, involved in cultural political power relationship between center and periphery, going through times of Japanese imperialism, the Korean War, and the era of harsh ideology of the Cold War.
In this paper, I want to show the points on which Lee Nan-young"s private desires were distorted or frustrated by the contradictory systems of reality. Her persona, interpellated in disparate and over-layered ways by demands of rapidly changing modern lives, had been repeatedly twisted and finally reached self-destruction. It may belong to her tragic personal affairs, but her innermost private experiences(her persuit of desires and loss of self, and hardship of life originated in her husband"s being abducted to North Korea, etc.) are likely linked to those of Koreans in general who commonly went through Japanese colonial rule and modern Korean history stained by the tragic war. Lee Nan-young"s songs and her successes and failures as an entertainer represent those linking points in a fragmented and metaphoric way.
In this paper, I want to show the points on which Lee Nan-young"s private desires were distorted or frustrated by the contradictory systems of reality. Her persona, interpellated in disparate and over-layered ways by demands of rapidly changing modern lives, had been repeatedly twisted and finally reached self-destruction. It may belong to her tragic personal affairs, but her innermost private experiences(her persuit of desires and loss of self, and hardship of life originated in her husband"s being abducted to North Korea, etc.) are likely linked to those of Koreans in general who commonly went through Japanese colonial rule and modern Korean history stained by the tragic war. Lee Nan-young"s songs and her successes and failures as an entertainer represent those linking points in a fragmented and metaphoric way.
목차
Ⅰ. 들어가며
Ⅱ. 이난영과 〈목포의 눈물〉
Ⅲ. 이난영과 〈다방의 푸른 꿈〉
Ⅳ. 이난영과 조선악극단
Ⅴ. 이난영과 김시스터즈
Ⅵ. 나가며
참고문헌
【Abstract】
참고문헌 (27)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2014-050-002781792