This paper examines Frankenstein in terms of Slavoj ?i?ek’s “the real”. Though Victor Frankenstein’s Creature keeps trying to enter human society, the Creature has been continually excluded from the Symbolic Order. So I analyse its conflict with the world from the perspective that the real is beyond language and law, and is overlapped with the Symbolic Order. The Creature’s attempts to enter the Symbolic Order, first through language and then through a female companion, are fruitless; he cannot interact in human society. Victor’s endless exclusion of his Creature in the Symbolic Order reaches its climax when he appeals unsuccessfully to a magistrate to punish the poor Creature by law. When he was close to completing a female creature, Victor destroys her, because he was afraid that the creatures’ progeny would prosper on earth. Here Victor does not realize that the Creature is not a subject in the Symbolic Order, but “a thing” that cannot be included in it, that is, “the real”, in the Symbolic Order. If Victor perceives a barred Symbolic Order wherein the real is overlapped with Symbolic Order, he will be liberated from the alienation of Symbolic Order.