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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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초록· 키워드
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Sijo, the traditional three-verse Korean poem, has long been regarded as a classical form of poetry and studied with an interest on its significance in the history of Korean literature. The focus on sijo was mainly related to the macroscopic dimensions and analysis was performed for the sole purpose of revealing the regard for sijo in the history of literature and how its form has transformed over the years. This particular branch of classical literature not only underwent changes in its form but attempts were also made to change its content. As a result, modern sijo incorporating the past and present elements has established itself as a fixed form of poetry that is uniquely ours and cannot be observed in any other genres. Modern sijo did not simply remain in existence but was constantly developed by sijo poets with infinite imagination who experimented with various elements. A significant number of sijo poets are active today, but there is still lack of research performed to examine the written works of poets and the world of poetry using a microscopic approach. It is only when we truly understand the theory of sijo poetry and the world of poetry that we can identify the defining characteristics of modern sijo. In this study, sijo poet Yoon Geum-cho’s genre perception was examined. He defined the “classical form of pyeongsijo, which focuses on the metric feet and the number of syllables as ‘closed sijo,’” while defining the “saseolsijo, eotsijo, and omnibus sijo with more varying flexibility as ‘open sijo.’” From his perspective, “open sijo” overcomes the limitations of formality of the genre to realize its full potential. It maintains the traditional rules of versification of sijo, while at the same, expands the metric structures. Accordingly, poet Yoon Geum-cho wrote saseolsijo as well as omnibus sijo, integrating a various forms of sijo, and also wrote long narrative sijo with serial and parallel extensions of omnibus sijo. Diversification of sijo and expansion of its form eliminated the constraints in terms of the traditional content of sijo. In other words, the form was changed to make it possible to express the sentiments of modern people that have become more detailed and complex. Poet Yoon Geum-cho selected a form of sijo based on the content he intended to write and embodied the poetic meaning that suited the chosen form. As a result, he brought forth poems that deviated from the classical themes that had been the main focus of the sijo poets, and these were in the form of series in emulation of Western art form and also included satirical sijo that criticized modern civilization and the political world. He also touched upon sexual discourses which had been considered a taboo topic, through which he illustrated the vitality of humans. There is a need to study Yoon Geum-cho’s sijo works, which played a significant role in allowing sijo to be established as a modern genre of poetry, from diverse approaches in order to gain a broader understanding of modern sijo.
목차
1. 서론
2. 형식적 변주의 다양화
3. 주제의 개방성과 현대적 수용
4. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2015-800-001371165