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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이 논문의 연구 히스토리 (7)
2014
2013
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This study examines the characteristics of Kim－eok’s translation which is fit to Korean feeling, through viewing his creative poetic transforming original contents, selecting poetry to translate, and expressing Korean mood in 『the lost pearls』. Furthermore, the development of his creating poetry from folk song style to modern poetry style is examined. He translated Western poetry to get the form and the style of Korean modern poetry. It was his ‘creative translation of poetry’ that resulted from his endeavor. That is to say, his creative translation of the Western poetry is the ‘independent acceptance of the western poetry’ as ‘direct translation’ but also the ‘creation’ of Korean modern poetic form.
He mainly selected verses of ‘romantic love song’ from the anthology of Arthur Symons and translated them. He made a title for that book as “the lost pearls” to make it accord with the contents of those verses. In addition, he considered the sequence of poetry in editing『azalea』. He arranged Kim Sowol’s sorrowful poetry which show traditional folk song tune and Chinese character phrases at the latter part, and modern style poetry at the former part of『azalea』. It is his characteristic of creative translation but also that of the Korean modern poetic form which he aimed for. He highlighted the themes of ‘romantic love song’ which has ‘dream’ and ‘sorrow’ as main poetic feeling in 『the lost pearls』 and 『azalea』. Considering entire structure, he also formed lines and stanzas, and used the technique of ‘repetition’, ‘modulation’ and ‘omission’ in countering phrases and countering lines. Furthermore, he usually used ‘eora/seora’ which is suitable to romantic verses and aimed for Korean colloquial style by using a rhyme of countering lines. Kim Sowol’s poetry can be come in to the world as a distinguished model of ‘modernized folk poetry bur also free verse’ through Kim－eok’s guidance, selection and revision although his poetry started from folk songs.
He mainly selected verses of ‘romantic love song’ from the anthology of Arthur Symons and translated them. He made a title for that book as “the lost pearls” to make it accord with the contents of those verses. In addition, he considered the sequence of poetry in editing『azalea』. He arranged Kim Sowol’s sorrowful poetry which show traditional folk song tune and Chinese character phrases at the latter part, and modern style poetry at the former part of『azalea』. It is his characteristic of creative translation but also that of the Korean modern poetic form which he aimed for. He highlighted the themes of ‘romantic love song’ which has ‘dream’ and ‘sorrow’ as main poetic feeling in 『the lost pearls』 and 『azalea』. Considering entire structure, he also formed lines and stanzas, and used the technique of ‘repetition’, ‘modulation’ and ‘omission’ in countering phrases and countering lines. Furthermore, he usually used ‘eora/seora’ which is suitable to romantic verses and aimed for Korean colloquial style by using a rhyme of countering lines. Kim Sowol’s poetry can be come in to the world as a distinguished model of ‘modernized folk poetry bur also free verse’ through Kim－eok’s guidance, selection and revision although his poetry started from folk songs.
#『잃어진 眞珠』
#『진달내꽃』
#원어역
#창작적 역시
#꿈과 설움
#낭만적 연가풍
#우리말 구어체
#반복과 변조와 생략
#近代化된民謠詩인동시에 自由詩
#『the lost pearls
#『azalea』
#direct translation
#creative translation of poetry
#dream and sorrow
#romantic lovesong
#Korean colloquial style
#the technique of repetition
#modulation and omission
#modernized folk poetry bur also free verse
목차
1. 김억의 ‘창작적 역시’와 김소월 시의 관련성
2. 낭만적 연가의 ‘설움’을 주조로 한 ‘어라체’ 운문시
3. 창작적 변용원리로서의 ‘반복’과 ‘변조’와 ‘생략’
4. 결론
참고문헌
Abstract
참고문헌 (27)
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UCI(KEPA) : I410-ECN-0101-2015-800-002750797