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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.4
- 수록면
- 249 - 287 (39page)
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초록· 키워드
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In late November 2013, soon after he resigned the position of Special Advisor appointed by Kan Naoto, the second Prime Minister of the Democratic Party of Japan, Japanese playwright and theatre director Hirata Oriza shifted his focus from the language of politics to the language of theatre and staged five anti-war plays of the Citizens of Seoul series?Citizens of Seoul, Citizens of Seoul 1919, Citizens of Seoul 1929, Citizens of Seoul 1929: Graffiti, Citizen of Seoul 1939: The Contrapuntal Music of Love, and Citizen of Sao Paulo?in Tokyo. It was a reckless project to stage five plays alternatively for five weeks, ncluding the ten-hour-long production of four plays of the Seoul series. Focusing on the first and fifth plays of the series, this paper examines Hirata’s unique theatrical poetics, Contemporary Colloquial Theatre/Quiet Theatre, which has germinated with his Korean trilogy written in the late 1980s and established in the first play of the series, Citizens of Seoul (1989). The series narrates the history of a Japanese family running a stationary store in wartime Seoul and Sao Paulo, spanning 1909 to 1939. In each play, daily conversation among the Japanese settlers just continues without climactic moments, and the play ends without a conclusion. Nevertheless, the series draws out their covert war collaboration and racism hovering deeply in the mind of the Japanese people. The series is obviously a challenge for Hirata to deliver a trans-historical and political message in plain language for young Japanese neo-nationalist conservatives emerging since the late 1990s.
목차
I. Going to Seoul and Birth of Contemporary Colloquial Theatre
II. Poetics of Contemporary Colloquial Japanese Theatre/Quiet Theatre
III. Developing the Citizens of Seoul Series
IV. Colonialisms in the Citizens of Seoul Series(1)-Seoul, South Korea
V. Colonialisms in the Citizens of Seoul Series(2)?Sao Paulo, Brazil
VI. Conclusion
Works Cited
Abstract
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UCI(KEPA) : I410-ECN-0101-2015-840-001415155