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The Concept and Significance of Robot Theater
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로봇연극의 개념과 의의

논문 기본 정보

Type
Academic journal
Author
Hirata Oriza (오사카 대학) Lee Hongyie
Journal
Korean Research Center For The Arts The Korean Journal of Arts Studies No.16 KCI Accredited Journals
Published
2017.6
Pages
77 - 97 (21page)

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The Concept and Significance of Robot Theater
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Abstract· Keywords

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The more the actor practices, the fewer his unnecessary movements, or MICRO-SLIPs. As technology improves, robots also have fewer and fewer unnecessary movements, but conversely, this isolates robots from society. The question of adding MICRO-SLIPs to robot behavior is an important in making robots more acceptable to society, and the discovery of this and its practice is the greatest achievement of robot theater. Seinendan and the Osaka University Robot Theater Project, produce robot theater performances using the most advanced robots, and they have undertaken this challenge. In their representative performances, I, Worker, Sayonara and Three sisters, a MICRO-SLIP is used in communication between robot and human, or robot and robot. This is connected to the practical theater theory of ‘contemporary colloquial theater theory’ which Seinendan completes with human actors, in which they present a daily, normalized coexistence with robots as a feasible world.
#로봇 #연극 #마이크로-슬립(MICRO-SLIP) #문리(文理)융합 #세이넨단(青年団) #Robot #Theatre #Micro-Slip #Convergence of Arts and Sciences #Seinendan

Contents

국문초록
1. 서론
2. 로봇연극의 의미
3. 로봇연극의 시작: <일하는 나>와 <사요나라>
4. 군상극 속의 로봇: <세 자매>
5. 결론
참고문헌

References (14)

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[기타자료] - 히라타 오리자 / 2013 / 사요나라 / 2013년 페스티벌 봄 상연대본 google schola [기타자료] - 히라타 오리자 / 2014 / 세 자매 / 2014년 제20회 BeSeTo연극제 상연대본 google schola [기타자료] - 히라타 오리자 / 2016 / 일하는 나 / 2016년 대전 아티언스 페스티벌 상연대본 google schola [단행본] - 石黒浩 / 2014 / どうすれば 「人」 を創れるか: アンドロイドになった私 / 新潮文庫 google schola [단행본] - 岸宣仁 / 2011 / ロボットが日本を救う / 文芸春秋 google schola

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