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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The aim of this study is to analyze hybrid strategies and features in the cultural translation and self-translation of the works of a Korean-American writer Kim Yong Ik. The analysis texts are “The Wedding Shoes” (1956), “From Below the Bridge” (1958) and “After Seventeen Years” (1963), and their respective target texts, “꽃신,” “변천,” and “동짓날 찾아온 사람.” The source texts in English are short stories about Korean traditional materials and culture, and the target texts in Korean are ones that the author translates himself.
As the result of analysis, the three source texts are considered as hybrid texts, in that there are “concrete expressions of images” and “Korean rhythmical expressions” in them at the same time. On the other hand, the three target texts have different aspects. “꽃신” can be seen as a hybrid text, since it has creativity in terms that it has the addition and deletion of words compared with the source text and at the same time there are unconventional expressions and syntactics in the text. But “변천” and “동짓날 찾아온 사람” can not be hybrid texts, for they are creative in that the dialogues of characters consist of dialect, unlike those of the source texts, but they don’t have unconventional words and syntactics. It is why these two translated texts feel as if they were originals.
In the case of Kim Yong Ik, the source texts are more hybrid than the self-translated target texts. It is because Korean materials and cultures are narrated in English in the source texts.
As the result of analysis, the three source texts are considered as hybrid texts, in that there are “concrete expressions of images” and “Korean rhythmical expressions” in them at the same time. On the other hand, the three target texts have different aspects. “꽃신” can be seen as a hybrid text, since it has creativity in terms that it has the addition and deletion of words compared with the source text and at the same time there are unconventional expressions and syntactics in the text. But “변천” and “동짓날 찾아온 사람” can not be hybrid texts, for they are creative in that the dialogues of characters consist of dialect, unlike those of the source texts, but they don’t have unconventional words and syntactics. It is why these two translated texts feel as if they were originals.
In the case of Kim Yong Ik, the source texts are more hybrid than the self-translated target texts. It is because Korean materials and cultures are narrated in English in the source texts.
목차
1. 들어가는 말
2. 이론적 배경
3. 김용익의 문화번역에 나타난 혼종성
4. 김용익의 자가번역에 나타난 혼종성
5. 나오는 말
참고문헌
[Abstract]
참고문헌 (38)
참고문헌 신청
1. [학술지(정기간행물)] - 김도훈 / 2006 / 문화소 번역에서의 인지적 축적물의 역할 및 번역전략 / 통역과 번역 8 (2) : 3 ~ 29
2. [학술지(정기간행물)] - 김미현 / 2012 / 황석영 소설의 ‘한국’ 번역과 혼종성: 『손님』을 중심으로 / 비평문학 (43) : 41 ~ 70
3. [학위논문] - 김민영 / 2011 / 김용익 문학의 서지 연구 / 석사 / 고려대학교 대학원
5. [단행본] - 김용익 / 2005 / 꽃신 : 김용익 소설집 / 돋을새김
6. [학술지(정기간행물)] - 김욱동 / 2012 / 자기번역의 가능성과 한계 / 통번역학연구 16 (1) : 21 ~ 37
2. [학술지(정기간행물)] - 김미현 / 2012 / 황석영 소설의 ‘한국’ 번역과 혼종성: 『손님』을 중심으로 / 비평문학 (43) : 41 ~ 70
3. [학위논문] - 김민영 / 2011 / 김용익 문학의 서지 연구 / 석사 / 고려대학교 대학원
5. [단행본] - 김용익 / 2005 / 꽃신 : 김용익 소설집 / 돋을새김
6. [학술지(정기간행물)] - 김욱동 / 2012 / 자기번역의 가능성과 한계 / 통번역학연구 16 (1) : 21 ~ 37
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