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논문 기본 정보

자료유형
학술저널
저자정보
강희원 (상명대)
저널정보
한국동서비교문학학회 동서비교문학저널 동서비교문학저널 제31호
발행연도
2014.12
수록면
59 - 85 (27page)

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초록· 키워드

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The purpose of this paper is to examine in detail how the problem of voice and sound is bound up with the problem of a division of space on the basis of a close reading of Franz Kafka’s “The Burrow” and Edgar Allan Poe’s “The Raven.” The speaker of “The Burrow” makes every effort to construct his burrow as an safe and unassailable place, presupposing that the inside can be clearly separated from the outside. It is the very possibility of discerning the inside and outside of the burrow that the “almost inaudible whistling noise” he hears at the edge of sleep and wakefulness problematizes. The speaker fails to search for the source of the noise, which makes the familiar inside unfamiliar, that is, renders the home de-homed. But what if the noise points to the possibility of rupture always already waiting to be effected within the inside? “The Raven” focuses primarily on how the speaker responds to the sound or voice as such after he can figure out its cause. The speaker of “The Raven” ceaselessly constructs and recounts stories in order to understand the sound of “nevermore” voiced by the raven, but his attempt to explain it away ends up in failure. The “nevermore” that is connected to speech but at the same time emitted by a bird leads us to reconsider the concept of voice by teasing out the implications of the Greek term ph?n?. As far as the problem of ethics is concerned, Kafka’s “The Burrow” and Poe’s “The Raven” become very important literary reference points in the sense that they suggest the possibility of overlapping of the inside and the outside, the meaningful voice and pure voice.

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