지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This is a research paper studying on the biodiversity and ecological imagination and Recognition shown in the Yun gon-gang"s poems. It was to find new poetic characteristics and meanings in his poems through the ecological approach, and to find important values of his 『A collection of animal poems』in the history of Korean poetry. Because he dealt with animals as major poetic materials and wrote poems, his poetry can be expanded into the ecological poetry beyond the age. In addition, his animal poems also affected overall the poetic world view.
His animal poetry can be characterized as follows. First, he symbolized the characteristics of various animals as ecological imagination and aesthetics point through careful observation. Second, the inherent vitality and life recognition were appeared in his 『A collection of animal poems』, which are also connected in other poems. Third, the ecological imagination through mutual and symbiotic relationship of animals appeared prominently in his poems.
On the other hand, his 『A collection of animal poems』and other poems dealing with animals as major materials revealed the coexistence of realism and modernism, that is to say it showed that reality of the poetry, emotion and poetic aesthetics coexist.
His animal poetry can be characterized as follows. First, he symbolized the characteristics of various animals as ecological imagination and aesthetics point through careful observation. Second, the inherent vitality and life recognition were appeared in his 『A collection of animal poems』, which are also connected in other poems. Third, the ecological imagination through mutual and symbiotic relationship of animals appeared prominently in his poems.
On the other hand, his 『A collection of animal poems』and other poems dealing with animals as major materials revealed the coexistence of realism and modernism, that is to say it showed that reality of the poetry, emotion and poetic aesthetics coexist.
목차
1. 서론
2. 생물다양성의 개념과 시적 의미
3. 생물의 특성과 상상력의 결합
4. ‘살아있음’과 생명인식
5. 생물의 상호관계성 및 상호 작용
6. 결론
인용문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2016-810-001289111