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자료유형
학술저널
저자정보
Jeesoon Hong (Sogang University) Matthew D. Johnson (Grinnell College)
저널정보
한국중어중문학회 중어중문학 中語中文學 第58輯
발행연도
2014.8
수록면
129 - 156 (28page)

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초록· 키워드

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This article explores various forms of big screens in China, in particular in Shanghai. In order to examine both macro-level questions of political economy and to micro-level questions of bodily-sensory experience, I deploy the term, ScreenSpace, which is inspired by the term, MediaSpace. Firstly, I discuss the ‘screengoing’ experience in multiplexes and mega shopping malls. Secondly, I attempt to convey something of the rich interface between body and screen with particular focus on the animated “painted scrolls” on display at China’s National Pavilion during the Shanghai Expo. Thirdly, I examine the Jia Zhangke film I Wish I Knew, which was commissioned by the Shanghai Expo’s state planners. This film is significant in the connections it draws between historical and contemporary Shanghai, and its incorporation of the Expo itself as a cinematic setting. Lastly, I examine how ScreenSpace produced at local levels replicates this logic of fusion, by combining multiple media, and representations of past and present, into site-specific media ‘events.’

목차

1. Introduction
2. Indoor and Outdoor Big Screens
3. The Big Screen of the Shanghai Expo China Pavilion
4. Historical Montage in Jia Zhangke’s I Wish I Knew
5. Screen Places : the Qingyuanshe ‘memory project’
6. Conclusion
【References】
【Abstract】

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