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Embodiment of New Spirits of the Age Engraved in the Experiment of Exhibits by Nam June Paik : Focused on the Conditionalization of Sense for the Communication of Global Cooperation and the Wave of Sense
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백남준의 전시작품의 실험에 새겨지는 새로운 시대정신 형상화 : '전지구적 협력'의 소통을 향한'감각의 조건화'와 '감각파장'을 중심으로

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Type
Academic journal
Author
Kim, sohee (한국교통대학교)
Journal
Korean Society of Culture Industry Journal of Korea Culture Industry Vol.15 No.2 KCI Accredited Journals
Published
2015.6
Pages
9 - 27 (19page)

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Embodiment of New Spirits of the Age Engraved in the Experiment of Exhibits by Nam June Paik : Focused on the Conditionalization of Sense for the Communication of Global Cooperation and the Wave of Sense
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How did the experiment by Nam June Paik change our existence style by "Symphonist Paik"s Open Circuit" and embody our daily life? The visual thinking of the fluctuating post modernismbecame themomentumto divide the newspirit of the age as the catalyst.
Nam June Paik presented the creation flow of art which artists and the public meeting in the open circuit progressively participated and embodied art out of the phenomenon which electronic media excessively restricted the human beings as the passive existence. In other words, although media assigned the characteristics of nomad, the modern civilization blocked the right to control speed and intervention and selection of heterogeneity as the nomad. In that process, NamJune Paik created theworld of art embodying the newspirit of the age from"zombie-modernism" to "sealing of sense" and from"doll without soul" to "sense of global communicationworld".
In this aspect, NamJune Paik revitalized the community of open circuit, "global participation" and the open world of communication embodying the communication by "breaking down the boundaries" with artists and the public as the "heterotopia experiment". The participation in the experiment is to create and experiment the cultural conditionswhich can astonishingly recreate a space into "the space revitalized by newsenses." In otherwords, his approach is the "great shift" finding out the direction for the newrelationship by converging different and heterogeneous elements.

Contents

I. 포스트 모던 시각적 사유: 백남준의 혁명적 지평
II. 이데아의 그림자로부터 변화와 생성과정에서 발견하는 아름다움: 백남준의 미의 전환
III. 근대의 배제시스템으로부터 탈출구: 백남준의 열린 회로에서 감각의 조건화 실험
IV. 백남준의 전시작품에서 감각의 조건화 실험
V. ‘정주하는 유목민’의 창조적 파괴 감각실험
VI. 복잡성의 귀환으로서 고르디아스의 매듭 다시 묶기: 이질성의 교향악 파장이 일어나는 놀이의 피크노렙시스 세계 확장과 감각파장
VII. 백남준의 시대정신과 전지구적인 사회문화적 효과
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UCI(KEPA) : I410-ECN-0101-2016-381-001756200