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논문 기본 정보

자료유형
학술저널
저자정보
Sven E. O. Hort (Linnaeus University)
저널정보
한국사회학회 한국사회학 한국사회학 제49집 6호
발행연도
2015.12
수록면
63 - 86 (24page)
DOI
10.21562/kjs.2015.12.49.6.63

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초록· 키워드

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It is often argued that European welfare states and Asian developmental states are the most successful state forms in recent history. The first is a late 19th century European invention although it has over the 20th century spread to other parts of the world, not least East Asia and more recently throughout South and Southeast Asia where the heuristic Nordic welfare model has thrived. However, in the last two or three decades the idea of the egalitarian and democratic welfare state has been foreign to the dominant mode of global thinking about the organisation of society and state. The global consensus approach has regarded state intervention in the market economy – growth-supporting measures (even planning), heavy taxes, generous welfare benefits, increased public responsibility including anti-corruptive measures – as fundamentally flawed and against the long-term viability of a free and open society. This is also where the most recent globalisation theories have met the most prevalent theories in comparative welfare state research without taking into account other types of secular and non-secular thoughts. In this article the societal experience of late modernity – or the epoch of the Spectacle – in the Far North of Europe is explored in the context of welfare state building and re-building; at the end the appeal of this model in Korea is briefly examined.

목차

INTRODUCTION: WELFARE SOCIETY AND WELFARE STATE IN THE EPOCH OF THE SPECTACLE
UNDER THE UMBRELLA OF THE NORDIC, OR NEXT, SUPERMODEL?
THE FLEXICURITY OF THE DANISH MODEL
FINLAND: A MODEL THAT CRACKED BUT WAS TEMPORARILY SUSTAINED BY THE NOKIA CELL PHONE
NORWAY: SAVIOUR OF THE NORDIC MODEL DURING THE DECENNIUM HORRIBILE?
SWEDEN - THE EMANCIPATED DREAMLAND?
BEYOND THE TERRITORY: THE GLOBAL RESURGENCE OF THE NORDIC MODEL
THE DAWN OF THE KOREAN WELFARE STATE?
THE EPOCH AND ITS SINGULAR MODERNITY: THE FIREWORKS OF THE NOTION OF THE SPECTACLE
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