지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The patronage of the arts by Korean royal family is a very old tradition, however, it began to change under the colonial rule of Japan. These changes were because the fact that royal family which was political in nature started to be weakened and the society and economic system rapidly changed under Japanese occupation. Also, the formulation of the concept of ‘Art’, the emergence of exhibition spaces and influx of oil painting could be reasons which caused increasing the activities of art patronage by the royal family being purely interested in the arts.
The patronage of the arts by Yi Royal Family during the Japanese colonial period made a significant contribution to the formation of painting circle in Joseon. First, King Sunjong seemed to follow the tradition of art patronage during Joseon dynasty, in this period, Yi Royal Family directly offered financial support to the modern group of artists, and the Association of Calligraphers and Painters. King Sunjong also visited to some exhibitions and was captured in a picture standing in front of art works involved political relationship with the exhibition organizer, the Japanese Government General of Korea.
However, King Yeongchin, a famous art lover of the time, had different side of the former example, King Sunjong He collected lots of art works through famous Japanese exhibitions in that period, such as the Imperial Art Exhibition(Jejeon), Wonjeon. Furthermore, he met not only some Korean artists, Na Haesuck and Oh Chiho who got a fame in Korean modern art history but also Japanese artists, Kuroda Seiki, in person.
One of the important art patronage by Yi Royal Family was supporting Joseon Art Exhibition which held in 23 years. Yi Royal Family visited the exhibition and collected some works displayed each year. In 1932, the grand prize called Changduckgung Prize was established by Yi Royal Family, and Yi Royal Family purchased all of the works which won the Changduckgung Prize.
Furthermore, “the Modern Japanese Art Exhibition” in Seokjojeon at Deoksugung Palace which started in 1932, was one of the major activity by Yi Royal Family as a art patron. King Yeongchin functioned as a main organizer of this exhibition at the Yi Royal Family Museum of Art. Yi Royal Family collected Japanese paintings and sculptures for displaying at this exhibition, and now National Museum of Korea houses several art works of this collection.
The valuation of the art patronage by Yi Royal Family has been very limited because of its historical background, the Japanese colonial period. However, as the royal family was the biggest art patron in the period of monarchy, Yi Royal Family, they patronized contemporary art a lot in which who else never can should be rated at their true value.
The patronage of the arts by Yi Royal Family during the Japanese colonial period made a significant contribution to the formation of painting circle in Joseon. First, King Sunjong seemed to follow the tradition of art patronage during Joseon dynasty, in this period, Yi Royal Family directly offered financial support to the modern group of artists, and the Association of Calligraphers and Painters. King Sunjong also visited to some exhibitions and was captured in a picture standing in front of art works involved political relationship with the exhibition organizer, the Japanese Government General of Korea.
However, King Yeongchin, a famous art lover of the time, had different side of the former example, King Sunjong He collected lots of art works through famous Japanese exhibitions in that period, such as the Imperial Art Exhibition(Jejeon), Wonjeon. Furthermore, he met not only some Korean artists, Na Haesuck and Oh Chiho who got a fame in Korean modern art history but also Japanese artists, Kuroda Seiki, in person.
One of the important art patronage by Yi Royal Family was supporting Joseon Art Exhibition which held in 23 years. Yi Royal Family visited the exhibition and collected some works displayed each year. In 1932, the grand prize called Changduckgung Prize was established by Yi Royal Family, and Yi Royal Family purchased all of the works which won the Changduckgung Prize.
Furthermore, “the Modern Japanese Art Exhibition” in Seokjojeon at Deoksugung Palace which started in 1932, was one of the major activity by Yi Royal Family as a art patron. King Yeongchin functioned as a main organizer of this exhibition at the Yi Royal Family Museum of Art. Yi Royal Family collected Japanese paintings and sculptures for displaying at this exhibition, and now National Museum of Korea houses several art works of this collection.
The valuation of the art patronage by Yi Royal Family has been very limited because of its historical background, the Japanese colonial period. However, as the royal family was the biggest art patron in the period of monarchy, Yi Royal Family, they patronized contemporary art a lot in which who else never can should be rated at their true value.
목차
Ⅰ. 머리말
Ⅱ. 일제강점기 李王家 미술 후원의 전개와 양상
Ⅲ. 이왕가의《朝鮮美術展覽會》후원
Ⅳ. 李王家美術館 일본 근대미술품 전시와 수집
Ⅴ. 맺음말
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UCI(KEPA) : I410-ECN-0101-2016-650-002331172