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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
In 1954, the “Exhibition of Sacred Art” was held at Midopa Department Store to celebrate the Virgin’s Holy Year, from October 5th to 12th. It is one of the classic examples among Korean Catholic art exhibitions in which architects, painters, sculptors, and craft masters participated altogether for the development of Korean Catholic church art. This exhibition was composed with the works of twenty four representative artists at the time, including Chang Bal who was the first Dean of the Department of Art at Seoul National University. In 1950~60s as Myungsoodae and Hewhadong catholic churches in Seoul, Korean artists collaborated to complete the liturgical spaces with the pieces of sacred art in modern and Korean unique style.
The “Exhibition of Sacred Art” in 1954 showed the new tendency of the sacred art influenced by the movement of renewal of Sacred Art before the Second Vatican Council pioneering the Korean style of sacred art. Therefore it could be considered as a very important exhibition in the Catholic Art History in Korea.
An article of Kyunghyang Magazine records that all their works submitted in the exhibition were donated for the church. Nevertheless, it is hard to find exactly where these works are now ; only eight pieces have been identified as submitted in the exhibition, including some of them appearing in photographs. Along with the tasks of identifying the works kept in the Catholic Liturgical Museum as anonymous are actually the entries submitted in the 1954 exhibition by Kim Byungki(1916~ ), Nam Yongwoo(1931~ ), and Kim Jeongwhan, this research made an effort to shed new light on the history of Korean Catholic churches as well as art historical significance, according to the testimony of surviving artists.
In particular, we studied on the direct and indirect influence of the Movement Art Sacré of the Dominican Order in France in 1940~1950s on the contemporary sacred art in Korea.
And we tried to investigate available references of the “Sacred Art Exhibition” in 1954 and to reevaluate as the precious cultural heritages existing in our churches.
The “Exhibition of Sacred Art” in 1954 showed the new tendency of the sacred art influenced by the movement of renewal of Sacred Art before the Second Vatican Council pioneering the Korean style of sacred art. Therefore it could be considered as a very important exhibition in the Catholic Art History in Korea.
An article of Kyunghyang Magazine records that all their works submitted in the exhibition were donated for the church. Nevertheless, it is hard to find exactly where these works are now ; only eight pieces have been identified as submitted in the exhibition, including some of them appearing in photographs. Along with the tasks of identifying the works kept in the Catholic Liturgical Museum as anonymous are actually the entries submitted in the 1954 exhibition by Kim Byungki(1916~ ), Nam Yongwoo(1931~ ), and Kim Jeongwhan, this research made an effort to shed new light on the history of Korean Catholic churches as well as art historical significance, according to the testimony of surviving artists.
In particular, we studied on the direct and indirect influence of the Movement Art Sacré of the Dominican Order in France in 1940~1950s on the contemporary sacred art in Korea.
And we tried to investigate available references of the “Sacred Art Exhibition” in 1954 and to reevaluate as the precious cultural heritages existing in our churches.
목차
국문 초록
1. 들어가는 글
2. 1954년 〈성미술 전람회〉의 개최 목적과 출품작 및 출품 작가
3. 1954년 〈성미술 전람회〉의 특징과 의의
4. 〈성미술 전람회〉 이후 교회미술을 위한 예술가들의 협력
5. 나오는 글
참고 문헌
ABSTRACT
참고문헌 (21)
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