지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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D. H. Lawrence, who learned myths, primitive habits and religions by reading James George Frazer"s The Golden Bough and Totemism and Exogamy and by visiting Etruscan places, believed that a human being"s real, necessary life existed there. He, therefore, shows the defense of the ‘earth-cult’, that is based on primitive animism, in his poetry, especially through his two important poems, “Snake” and “Bavarian Gentians.” The earth-cult existed prior to Apollonian and Judeo-Christian traditions in the world and it had Dionysian elements, which is dark, dirty, primitive and mysterious force that Apollo wants to evade. While Greek worship of Olympian gods is a ‘sky-cult’, the Dionysian earth-cult is the worship of subterranean gods and fruitful nature. It is also the worship of instinct, subconsciousness and intuition. Lawrence calls it ‘blood-consciousness.’ It is against intellect, science, civilization and consciousness that ‘mental-consciousness’ exists in Lawrence"s term. The earth-cult that worships nature is shown in the “Snake”, one of Lawrence"s finest achievements. Lawrence shows the real nature of the external object and his own inner self against his own education in the mode of vision through it. His momentary, intuitive flashes of insight reveal his worship for the natural flow of life that can be sexuality and eroticism in the encounter of nature and culture. Lawrence"s worship for nature is accompanied by female principle as the basis of earth-cult and nature. For nature"s cycles are woman"s cycles and woman is identified with nature as the model for the Great Mother figures. This indicates that earth-cult has nature"s circularity, which means earth-cult"s return to the world of prevailing sky-cult. This idea connects life with death and death with life. In this regard, Lawrence"s “Bavarian Gentians” shows that death is just the continuity of life blooming into sexuality. Finally, Lawrence"s acceptance of the primitive nature and the circular femaleness that is shown in his poems means the death of the old self and the birth of a new self, which is the destruction of the old world and the creation of a new world. It is the world of a new earth, a new I, a new knowledge, a new time, rising from the tomb, the black oblivion.
목차
I. 들어가며: 아폴론적인가, 디오니소스적인가? 하늘인가, 땅인가?
II. 원시적 자연성의 옹호: 「뱀」을 중심으로
III. 순환적인 여성성의 옹호: 「바이에른의 용담꽃」을 중심으로
IV. 나가며: 낡은 자아의 죽음과 새로운 자아의 탄생
참고문헌
ABSTRACT
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UCI(KEPA) : I410-ECN-0101-2016-001-002360590