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자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제29권
발행연도
1996.8
수록면
23 - 38 (16page)

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The purpose of this study was to analyze the characteristics of the Minimal Art represented in the second half 20th century fashion. All the mode of dress worn this century have developed from the stimulus of a changing society, fired by new discoveries and a zest for the new and different. It would appear that even more dramatic change will soon occur in our clothing styles, the effects of which will be farreaching. Many of today`s styles intented to dress our psyche rather than our bodies and this if fully understood by the new designers, whose influence will become increasingly more potent as we approach teh new century. The highly developed material civilization resulted in human alienations, environmental distruption. By this fact, human being of the 20th century was to overcome social complexity. Accordingly, their search for simplicity was interested in the 60`s style. Especially, the formativeness of the 60`s style was represented in the second half 20th century fashion. In this paper, it was focused that how the characteristics of the Minimal Art was expressed in the second half 20th century fashion. Minimalism was a quest for basic elements prepresenting the fundamental esthetic values of art, without regard to issues of content. At its most extreme, it reduced art not to an eteranl essence but to and arid simplicity. "Primary Structure", the most suitable name suggested for this type, conveys its two salient characteristics : extreme simplicity of shapes and a kinship with architecture. Minimalist works are characterized by huge dimensions, coldness, and absolute aesthetic neutrality. Minimalist artists ambition is to define, through the most rudiemtary materials, such as plywood, galvanized iron, aluminum, plastic, and wood, a new order of the space. The envrionment is just as important as the object itself. Similary, the use of new, tough materials, such as vinyl, metal and plastic, at late half of the 20th century fashion related to the formativeness of the Minimal Art. And the style of 20th fashion was holded the internal meanings in common the formativeness of the Minimal Art through the various texture, pattern, silhouette etc.

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