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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제29권
발행연도
1996.8
수록면
117 - 126 (10page)

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As the current stage of the fashion begins to follow the styles of the past, the study on the past costume is getting more importance, and as the methodology of the study the accurately approached study through the rehabilitation of the past costume is more needed than the simple rearrangement of the historical documents. By the methodology, the study can be positioned as a re-creation activity. The results of the study are as follows. 1) Style: The general silhouette is the style to emphasize the waist and to widen skirt at the lower part of the body. The front shows hourglass silhouette, but the side shows S-line silhouette. The dress is two-piece composed of bodice and skirt. 2) Color and Fabric: The main color is dull powder blue and the sub color is ivory. The dress is made of wool crepe and cotton and partly silk crepe, satin, and taffeta. 3) Pattern and Sewing: The dress is combined with lining and fabrics. The patterns of underbodice are more than those of overbodice because underbodice is more fitted than overbodice. The skirt is gored skirt. The dress has various effect not only to decorate but also to conceal seams, support hemlines and affect the depth and length of front panel. 4) Detail: The braid, black velvet ribbon, frill, and tucks in bodice, skirt, sleeves, front panel, collar, cuffs are repeatedly used to decorate the dress. Finally, the 1902-3 day dress has the characteristics of transitional stage in which the characteristics of the costume of 1900s and the remnants of the characteristics of the previous costume style, and shows the characteristics of day dress ·well in terms of the style, color, and fabric, pattern and sewing, and detail.

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