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Subject

Renewal of Being by Mythical Ritual in Yun Dae-nyeong's Novel
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한국 현대소설에 나타난 신화적 특성의 일 고찰 : 윤대녕 장편 <호랑이는 왜 바다로 갔나>를 중심으로

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Type
Academic journal
Author
Han, Jeom-Dol (호서대학교)
Journal
The Society Of Korean Fiction The Journal of Korean Fiction Research No.61 KCI Accredited Journals
Published
2016.3
Pages
355 - 382 (28page)

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Renewal of Being by Mythical Ritual in Yun Dae-nyeong's Novel
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Abstract· Keywords

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Yun Dae-nyeong, one of the noted novelists since 1990’s has written the works that applied the principles of myth to recent fiction continuously. But these aspects are not results of accident but of efforts to overcome the anomie situation after collapsing of modern historic concept.
According to modern concept of history, especially socialism history is characterized by world development and our only duty is to struggle for achievement of historical goal as early as possible. But this belief disappeared in company with collapsing of the East European bloc and many people were at a loss what to do.
Then Yun Dae-nyeong selected the mythical time view of rotation in this chaotic situation. By mythical view there is nothing new in this world and all is nothing but a repetition of same Archetype. So history as accumulation of secular time has not any meaning and rather decrease the natural vitality by social system or custom. Therefore it is necessary for us to purify the secular time periodically by recurring to first mythical world. That is called as rites of passage.
In mythical vision is purpose of life not to fight for social development but to sing the praises of paradise just like an infant nestling in its mother’s breast. So Yun Dae-nyeong seems to gain the composition of fiction that character in ruined situations seeks to recurring to first start point and regain the renewal of being.
According to above composition did Yun Dae-nyeong write the novel Why Tiger Went To Sea, which is the work that several mentally wounded characters recurred to the sea or footprint fossil of a Paleolithic Age man as a origin of being and then regained the will to live by way of renewal of being.
Yun Dae-nyeong’s these attempts to apply myth to fiction can be estimated in some degree, but its entire success or failure in literary history depends on time spirit totally.

Contents

요약
1. 머리말
2. 윤대녕의 문학사상과 신화의 본질
3. <호랑이는 왜 바다로 갔나>와 존재의 쇄신
4. 맺음말 - 신화의 소설적 재소환과 그 의의
참고문헌
〈Abstract〉

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UCI(KEPA) : I410-ECN-0101-2017-810-000994095