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논문 기본 정보

자료유형
학술저널
저자정보
Yan Wang (Henan Normal University)
저널정보
한국컴퓨터정보학회 한국컴퓨터정보학회논문지 한국컴퓨터정보학회 논문지 제22권 제1호(통권 제154호)
발행연도
2017.1
수록면
77 - 87 (11page)

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초록· 키워드

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In this paper, we propose an analysis of the sound source of virtual orchestral music in detail by using the production technology of sampling and playback, and technical experiments and verification for the most advanced Hollywood Library series of timbre and the timbre production and control technology of Vienna instrument Pro and other softwares, to find their solutions and come up with the best timbre production method for orchestral music from the perspective of the specific design ideas of the productions of virtual orchestral instruments. The so-called virtual orchestral instruments are non-real orchestral instruments, which are based on the imitation of timbre of real orchestral instruments, processed and synthesized through the scientific and technological means, and produced by the use of electronic equipments or computers. The study of virtual timbre production technology is very important, and it is like the study of composers’ creative techniques. Not only scientific and advanced timbre production methods can be obtained from the study, but also new ways of future timbre production are expected to be explored.

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Abstract
Ⅰ. The Introduction of Background
Ⅱ. Timbre production technology based on digital waveform sampling and playback
Ⅱ. Control technology corresponding to real band playing
Ⅲ. Effector use technology
Ⅳ. Conclusion
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UCI(KEPA) : I410-ECN-0101-2017-004-002118217