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자료유형
학술저널
저자정보
김지혜 (한국전통문화대학교)
저널정보
한국미술연구소 미술사논단 美術史論壇 第43號
발행연도
2016.12
수록면
207 - 227 (21page)
DOI
10.14380/AHF.2016.43.207

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Modern girl and modern boys meant a group of beauties who wore modern fashion and contemporary fashion at the height of modernity in Gyeongseong area. They are clearly distinguished from the previous figures by forming a new self that is mediated by the consumer of modern culture and the representation of goods.
The leveling of consumption brought about by the transition from the class system to the capital society is accelerated by the appearance and advertisement of mass media which are printed and distributed to the masses like newspapers. In particular, newspaper advertisement can be said that it implies consumption culture by persuading and producing desire of people. As such, the advertisement in the modern era was not also a new culture but also a media that reflected and created a new awareness, value and ideology in the society by promoting consumption through introduction of new civilization and information.
The narrative and image of modern girl and modern boy of Gyeongseong are suggested and vividly reflected through various visual materials such as newspaper advertisements, illustrations and photographs of the time. The advertisement was the medium that popularized and learned the idealized modern image that modern boy and modern boy pursued in the most familiar way to the public. In this way, modern boy and modern girl were consumers who appeared in the proliferation of consumer culture. In the process, while they were criticized as a symbol of luxury and vanity, they were also accepters of a new culture at the height of the modern era and the beauties of the modern era who attempted to experience modern, modernity, modern culture and modern value directly.

목차

Ⅰ. 경성인, 소비문화의 첨단을 걷다
Ⅱ. 경성의 미인, 모던걸 모던보이를 만나다
Ⅲ. 모던걸 모던보이, 못된걸과 못된보이가 되다
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ABSTRACT

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